This show is really weird and kind of difficult to watch because it's so abstract to a point where it feels like a nonsensical mess sometimes. That being said it's the kind of media that sticks with you long after you finish watching it, and it'll make you remember it, leaving a surprising impact as you take a moment to step back and look at the internet from the outside. Most shows are designed to be entertaining but this is more focused on it's message. I could go on about it all but a lot of it has already been said by countless reviews and ... video essays. My main take away is the importance of the human body. It is part of who we are and protects us against evil. We must not confuse the digital with that of the real world as making that separation puts us in danger of losing ourselves. It's kind of all over the place sometimes but I'll give credit where it's due. It sure is interesting. If you're looking for an anime unlike anything else, this is definitely that.

Fin dove possiamo spingerci per realizzare un sogno? Fino a che punto possiamo affermare noi stessi in un campo artistico nel quale sentiamo di essere portati, ma che allo stesso tempo sembra inaccessibile? E, soprattutto, quanto possiamo tollerare la violazione della nostra privacy e il ritmo insostenibile delle aspettative che siamo costretti a soddisfare, una volta che i nostri desideri cominciano a prendere forma? Questi sono i temi centrali di Perfect Blue, il capolavoro di Satoshi Kon che ci racconta la discesa negli abissi di un mondo tanto lucente quanto malato: quello dello spettacolo. Mima è stata una idol di successo, un'icona perfetta e impeccabile, ... ma il suo desiderio di cambiamento, forse nato da una passione sincera, forse da un bisogno di fuggire dalla fatica incessante che opprime le cantanti giapponesi, la spinge a intraprendere una nuova strada: quella del cinema. Ma quest’ultima, che inizialmente appare come una via di riscatto, si trasforma rapidamente in un tunnel di violenza psicologica, confusione e oscurità infinita. La sua mente e il suo corpo vengono sottoposti a una prova indicibile, un'esperienza che non solo minaccia la sua sanità mentale, ma la conduce inevitabilmente verso la distruzione. Il film di Kon non si limita a raccontare la storia di una ragazza che perde il controllo della sua vita, ma ci offre una riflessione profonda sull'identità, sul prezzo del successo e sulle insidie che si nascondono dietro l'apparenza. Mima, come tante altre figure nell'industria dello spettacolo, è costretta a fare i conti con un mondo che non perdona e che la riduce a merce di consumo, annullando la sua individualità in favore di un'immagine pubblica costruita ad arte. L’espediente della "doppia realtà" è uno degli strumenti narrativi più potenti di Kon, che gioca con la percezione e l'inganno, sfumando continuamente il confine tra ciò che è reale e ciò che non lo è. In questo senso, Perfect Blue si erge a un'opera che non solo indaga la psicologia del protagonista, ma anche quella del pubblico stesso, invitandolo a riflettere sulle sue aspettative e sulle proprie idee di successo e identità.

At first, I didn’t expect much from this anime. In fact, I didn’t know what to anticipate beyond a vague memory that it would involve some comedy and romance—something I barely recalled when I added it to my playlist years ago. If you enjoy works like Daily Lives of High School Boys or Beelzebub, this anime is definitely for you. These titles share the same bold and exaggerated humor that defined much of the 2000s and 2010s. But beyond delivering a highly entertaining comedy, the show also introduces a subdued yet captivating romance between the main characters. What truly stands out, however, is how the anime portrays ... the lives of those living under the Arakawa Bridge. At first glance, these characters seem like absurdly over-the-top caricatures created purely to fuel the show’s humor. But as the story unfolds, you begin to realize that each of them is there for a reason. They’re individuals deeply disconnected from Japanese society, each carrying their own struggles. Some have no intention of fitting into societal norms; they simply want to live freely, unshackled by the rules of conventional life. This is particularly evident in how they completely disregard the protagonist’s wealth, as if money holds no meaning to them. As for negatives, some viewers might find the character development lacking, especially since the protagonist tends to react to the other bridge residents in the same way throughout. However, there is subtle growth, though in a series like this, dramatic changes might actually detract from the humor. Additionally, the romantic moments, while present, are few and far between. That said, this anime is absolutely worth giving a chance for its humor, its unique take on societal outcasts, and the charm of its unconventional storytelling.

I never laughed when watching Nichijew, I cried (in boredom) watching Azumanga Do'h, I watched Daily lives of High School Boys stone faced as the minutes of my NEET life faded away watching unfunny shit. But Watamote changed that, this is the first anime I've genuinely ever found funny, this is the first anime in existance to do Japanese humour well. This anime will literally change your life. Then again I want this anime to remain obscure and not be tainted by pleb shits who watch 0IQ unfunny stuff like Dandandan or like Vinland Saga...hey if you liked Vinland Saga don't watch Watamote, it's not for ... you, infact it really sucks11!!11 Go back to your wannabe seinen shounen crap Vikings my ass they never existed and Vinland (and in extension Northwestern Europe) does not exist.

Anime is a great medium of artistry to be displayed. The reason a lot of people venture into anime, including myself, is to be creatively driven or emotionally moved. With the growing age of modern animes, a lot of the older, less novel animes tend to get pushed into obscurity, especially to the eyes of newest consumers of the market. For the average new-gen consumer, even animes in the 2000s seem to be considered old. There are exceptions to this old-new phenomenon. For example, shonens like Naruto, Bleach, Dragon Ball, One Piece, etc, and certified classics like Cowboy Bebop or Neon Genesis: Evangelion are some ... on the list. Serial Experiments Lain is a sci-fi mystery drama that can be easily swept under the mountain of sci-fi and mystery animes. Or so you would think... Look at this review from the angle of a newer generation of anime enthusiast. After getting used integrated with anime, the consumer watches the basic "normie" animes. Then, they gets bored due to the oversaturation of well-animated action animes. So they delve deeper to find something, anything to give their mind a break from the monotony. After scrolling, they find a bunch of people talk and praise an 1998 anime called Serial Experiments Lain. They look into its history, seeing its prevalence among anime reviewers and MyAnimeList. So after waking up at early hours, they binge the entire series. I know this very well, as this is my perspective. And I would watch it for the first time ever again and again and again. Instead of going piece by piece, I will go into what I think makes Lain so great. - - - - Storytelling - - - - To understand Lain is to understand philosophical principles. Theology, mental illness, loneliness, purpose, all ideas that wrap into Lain in a wonderfully projected package. To unwrap it is similar to completing a game. Constantly going through small things all to lead up to the main objective. The main objective is always in sight but is not achievable until all the small things are completed. The small things can satisfy, but the main objective is one that the player knows will give them the most satisfaction. In my watching experience, Lain is confusing to start and weird to just pick up out of nowhere. But personally, I love that. Its not the kind of confusion that pisses me off, it's the kind of confusion that intrigues. The kind of confusion that makes the watcher long for more. It makes you work to understand how and why everything is happening. It gives you the main base somewhat linearly, however, when piecing the details together, it fits beautifully. Who would've guessed that a suicide victim's message would've caused all this? This review is spoiler-free, so I won't speak about the ending phase. But, oh my god, it is moving. - - - - Style - - - - A key part of Lain is its style. Between its artistic portrayal of its themes scattered among the background or its lighting changes to represent important areas that Lain interacts in, the style is prevalent and necessary to understand the overall message and story. Between layers, which are episodes, the premise of blending the border of the Wired and the real world shown with how the powerlines stay parallel to powerlines intertwining and balling up to a point where they break are incredibly creative details. The change of Lain's room from going to relatively empty to chaotic cyber landscape, just showing how far Lain is connected to the Wired. The text used in the opening sequences and title card makes you feel like you're in the Wired. The bright white used in contrast with the mix of red and black in nearly every day scene adds to that surrealistic feeling. - - - - Environments - - - - Don't even get me started on the environments. Cyberia feels lively and always moving. As if at any moment something important, good or bad, will happen. The same goes for the Iwakura home. Even if it may be silent, it's almost as if you don't want to be. Like something unsettling could be right around the corner, adding to the mystery ambience. The loud drone of the powerline transformers as Lain walks to the train paired with the train's atmosphere join in a unsettling, mysterious vibe. The best example of a great environment is the Wired. The Wired is supposed to be a simple communication and information medium but it has so much more than what the surface entails. I can't go into it, just watch it an find out. It has so much more to it that I can't describe here, not without it spoiling the show. I want this to be a persuasive review, so I would like it the reader of this review to watch Lain. It will take you through so many ideas that you may have never explored before. + added bonus point for boa - duvet. actively attempted to skip it, but it was so good that I literally couldn't. Personal Rating: Let's All Love Lain / 10

I'm proud to be the first negative review for this show. Fam... It's bad. The 6.82 that the show currently has is being very generous. This is about as average as an anime can be. I have to assume that the people who rated it anything higher than a 5 just have nostalgia for it OR they really love Transformers and haven't seen enough anime to know how to spot a bad one. First thing to know is that this show had an unusual production where it was written, produced, and animated in Japan, but it was released with English voices first. If you watch the ... English dub, you're literally watching the inferior version. A lot of animation errors were corrected for its Japanese dub release. For some reason, the English version renamed all of the characters. Some of the names feel totally incorrect for the character while others make more sense. For example, if you find yourself wondering why Red Alert doesn't seem like the Transformer named Red Alert that you're familiar with, that's because he's actually called "Ratchet" in the Japanese version of the show. But I personally don't think either name fits this character. So who is he supposed to be? I have no idea. It's a mess. I don't know what they were thinking. If you aren't familiar with ANY Transformers, you probably won't be bothered by this, but it WILL probably confuse you later when you try to engage with any other Transformers media. I feel bad for the minicons in this show. They're treated like literal robots without personality. None of them speak and they're just used as weapons and accessories by both sides. They're one of the weakest parts of the show, which is extremely unfortunate because they're supposed to be the central focus of the story. I can appreciate what they were going for in THEORY, but the execution is just uninteresting and passionless, and it makes it feel kind of perplexing as a decision overall. It really feels like it must've been a "We don't have enough time, so we just have to go with whatever we come up with first and make it work" kind of situation. (Apparently production was being rushed by the network, so that feeling doesn't seem to be unfounded.) People complain about the Transformers cartoons feeling like toy commercials (because they are), but this is definitely one of the most blatant examples. This show exists as an excuse to flash robots on the screen to make you buy them. Quality be damned. The human characters are what I expect from this era of low-effort anime for children - especially from the shows that were trying to make you buy something. Which is to say, they aren't interesting. There's the girl, the boy, and the other boy. They occupy more screentime than they deserve because they effectively do nothing. Their relationship with the Transformers is paper-thin. At best, they're in the way. At worst, they're annoying. I feel a little mean, but there's nothing substantial enough about these characters to make them worth defending. Most of the episodes take place in a vague field or canyon where the two sides fight in boring, poorly animated battle sequences. Once you've seen one fight, you've seen them all. They don't get more interesting. I found myself zoning out through 70% of most episodes. I've seen fans say that the designs of the Transformers is what they like most about Armada. As toys, they look too blocky and cluttered. In animation, they look stiff as hell. I don't know what possessed them to make designs that would be that difficult to animate. You know it's dire when even the out-of-context compilations on YouTube can't make this show seem funny or interesting. It's just boring, and that's one of the worst things a show can be. If you're easily hypnotized by Optimus Prime, I guess this show is for you.

Season 2 of Blue Lock is one of the worst adaptions you can get for your favorite manga. While Season 1 already was rough with its very bad looking CGI and not-so-great animation, it was still solid enough with some highlights sprinkled in between. Season 2 meanwhile is a whole powerpoint presentation (not even exaggerated, there's a powerpoint transition at one point) most of the time with way too much VFX to make still-frames look better. (Which does not work) Most feet interactions are now completely CGI, which doesn't look great, but somehow still better than the rest.. though it still reminds me of Galactik Football ... from 2006. So far there only has been like two "highlights" where the animators really tried to save this shitshow, but overall, nothing can be saved anymore. The U-20 Arc could've been one of the best Arcs this year... if it would be Production I.G instead of 8bit. As it is now, this Season is just a big disappointment and a disgrace to the Manga author and its fans. The only good thing about it is the source material, because that is still insanely good.

absolute MASTERPIECE... You don't get it. this is LEAGUES above attack on titan, one piece, and fullmetal alchemist brotherhood COMBINED. All 3 of those are HORSESHIT in comparison to this PICASSO. Anyone (who is 90% of MyAnimeList) who tells you that Kokuhaku is bad is simply LYING to themselves. The moment when the main character said "its Kokuhakuin Time" was fucking cinema. Greatest masterpiece of all time, and all of those who even MILDLY deviate from this hard truth are stupid dumb and probably enjoy redo of healer. best fucking story of all time 10/10 would watch again. All of you uncultured SWINE are incredibly ... idiotic, and cannot surpass the intellect neccesary to watch this CINEMATIC MASTERPIECE. Truly the citizen kane of our time.

yo what is up you guys right now we're at mcdonalds, and it is currently 3 in the morning and we just found out when you come to mcdonalds at 3 in the morning, you can order the among us happy meal you guys, that's right, you heard, me, the among us happy meal, and there's a toy inside of among us- you can either be a crewmate, or it can be an impostor and if you guys do not know what among us is, you must be living under a rock you guys, this game is insane, ok? so you can play with a ... bunch of friends ok? like 8, i- i- i think it's up to 10 people you can play with, and there's impostors, and there's crewmates, and pretty much the impostor is trying to sabotage the whole game and trying to win. it's insane you guys, once again, this- this video is not sponsored at all, but this game is insane. my thoughts on the short? mildly entertaining tbh.

In a world filled with sadness and loss, how we do cope? At its core, Mission: Yozakura Family (MYF) is about answering this in a simplistic way that all ages can understand. It may not be a ground-breaking answer, but sometimes simplicity makes for the most effective reminders. Happiness is found through accepting absurdity and opening your heart to others. I haven't consistently updated my MAL in years, but I've never anticipated an anime more prior to its release than this series right here. So, I'd like to give my review from the perspective of a long-time source material reader. Many protagonists of Weekly Shonen Jump manga ... (and their anime adaptations) share overlapping traits. Taiyo Asano is no exception, but his introduction is effective. The anime opens with a flashback and a monologue that instantly explains what he's about. He's an anxious, traumatized teenager who's scared of losing people he loves. The theme of loss can be interpreted in all sorts of ways with many people. It's not just Taiyo either. The series reveals early on that the titular Yozakura family have also experienced loss. Most notably, in my opinion, is Kyoichiro Yozakura. Kyoichiro is introduced as an off-putting, antagonistic force. He's instantly juxtaposed with Taiyo. In the first episode, while Taiyo is the "good-guy" and Kyoichiro is the "bad-guy," Taiyo realizes that both of them are victims of loss who have developed unhealthy coping mechanisms and altered personalities. With Taiyo, it's his extreme social anxiety. With Kyoichiro, it's his extreme obsession with his sister (while his obsession with Mutsumi Yozakura becomes an ongoing gag, the character writing is taken seriously enough to not let him be portrayed as an incestuous predator). Taiyo's journey begins when his desire to protect who he loves overpowers his fear of loss. As a result, he influences and inspires the entire family to overcome their own loss. Mission: Yozakura Family is less about romantic love and more about familiar love and a general appreciation of mundane moments of joy that we often take for granted until they can no longer be replicated. There's a large focus on humorous interactions amongst each other and the illogical circumstance about this series' world of spies. The spy element of the series is used as a joke more than anything. Very little about the way the Yozakura and other spies work make sense. Whether or not this is funny will vary from person to person, but it doesn't harm the series' writing as the absurdity and chaos of life (both good and bad) are things we have to accept. Taiyo and Mutsumi's relationship is cute to watch, but it lacks any real drama or significant development simply because it's not the driving force of the story. The story is a slow-building mystery of discovering what caused the hardships of Taiyo and the Yozakura family and then fighting to prevent further loss from occurring. This element of MYF is really fun to watch, but it's also where the anime adaptation fumbles the most. The production planning for the anime was reportedly great, and anyone with knowledgeable of the recent works of animation studio SILVER LINK could tell you that the quality of the anime's 27 episode run was surprisingly well. However, doing surprisingly well when expectations were disastrous doesn't exactly cut it for many anime fans seeking high-quality art and animation. Aside from the notably talented voice cast and, MYF's quality is quite average which can be a turn-off for many seasoned anime fans. Another struggle the anime adaptation faced was pacing. The staff clearly wanted to adapt an ambitiously large amount of content in a single two-cour season. There are ways to adapt large amounts of content within a limited episode count that can come across as lazy. With MYF, that clearly wasn't the case. They managed to get an extra episode more than the standard 26 and they added some additional content that fixed some of the biggest criticisms of the manga. However, they had to remove fan favorite scenes in order to reach the end point. Many of these involve episodic plots and characters who only received small cameos and references in the anime that can easily be repurposed for the confirmed second season. However, the Skeleton Island arc particularly suffered from cut lines and shortened backstories that won't be coming back. While the decision to cover as much content as they did to tell a satisfying story in a single season is highly respectable, it wasn't without its drawbacks. Overall, this anime can be a really fun time for anyone who enjoys light-hearted excitement or anyone struggling with grief and loneliness. Even the power-ups introduced in the second half of the season reflect each character's individual coping mechanisms in really creative ways. However, I'd recommend it alongside the manga rather than as a substitute. Both versions have their pros and cons, but together they make up what is my personal favorite fictional story of all time. The second season is in production as of the writing of this review, and let me assure you that things will keep getting better from here.

This anime is so incredible in all aspects, that i had to write a review about it. Plese, if you are thinking if you should watch it or not, give it a chance, I'm certain you will not regret it. Let me say something, I'm surely not a fan of historical anime, and thought i wouldn't like this show when I first encountered it. How of a fool I was. The plot is a 10/10, the characters too, the subtle romance is so cute i can't even describe it. Maomao is such a good character, and her love for what she does is amazing and contagius. ... The mistery of this show is very good too, making you think about everything that is happening. The lore of each character is equally interesting and touching.

I struggle to call this a "good" show but it's definitely entertaining. Like seven different girls have their tits out, nipples included, two of those are either during or shortly after their rape-involved backstories, there is a lot of shitty CGI, the MC is a crybaby, it has flaws for sure but it's a fun show and that's all that I can ask for, given some of the shit I've seen this year alone Unlike a certain show I've seen that also has 12 holders of the titular object, this DOES have fun battles and stuff throughout, which I am very happy with. Given that there are ... 12 diary holders and 26 episodes, the pacing is pretty snappy and it's always moving, which does have its drawbacks. Let's talk about the diary holders. The First (aka our MC) is, as I described above, a bitch. A whiny crybaby. I don't remember him being this insufferable in the manga but maybe it's like Zenitsu (who I actually like but that's neither here nor there) where having to HEAR him makes him worse. He does EVENTUALLY grow some balls and we even get a good arc where he's working in harmony with Yuno as a pair and pulling off a pretty wicked plan but even that kind of falls to the wayside and he kind of regresses. The Second, let's be honest, it's probably why you're here. I wouldn't say she's my FAVORITE yandere but she has earned the title of Yandere Queen for a reason. Yuno is batshit insane and carries the anime whenever it's dragging by sheer yandere power. My problem is less with her and more with the First. Bro, just kiss the girl. "waaaah! waaaah! I have a hot psycho killer girlfriend!" Second-world problems, my man, hit the weights, take a shower, get a fucking clue. Like, I know that's considered a problem in-story too but even so, I still have to watch this story with my own eyes, you can't just make him insufferable and go "erm, it's part of the story!" like yeah, it is, but you know? Third, lmao, moving on (for what it's worth, he did his part well) I thought the Fourth was okay. I enjoyed his part in the story, even if his end result was a little underwhelming. I thought the Fifth was unlikeable. And, yeah, I guess that's probably the point but it would have been nice to smack the piss out of that wimpy coward. I guess good job? FUCK the Sixth. I guess, like with the Fifth, I'm not supposed to like her, but I would've at least stomped on her handball or something for what she tried to do with Yuno. I know this was the rape backstory that WAS in the manga but tbh, I kinda feel like this one was less necessary? I get why it's here, I guess, but considering what her life is like outside of the sexual abuse, I don't think she'd be a very pleasant person anyway. Speaking of rape, the Seventh! I actually really like the Seventh. Other than Second and Ninth, they're probably my favorite diary holder. They provide a nice balance to the main protagonists and I think their arc was one of the highlights. I genuinely have no feelings on the Eighth. She's just kinda there. I guess she's "the good diary holder" but I didn't feel much of a connection there. The Ninth is probably the second fan favorite and for good reason. We get lots of time to bond with her, she's got a decent little subplot, nice fights with Yuki, I'm glad it wasn't JUST Yuki and Yuno (although I do have a gripe to discuss later). I honestly forget the Tenth even exists a lot of the time. Maybe it's because they end up befriending Yuki after but like he's just some weird dog boy. Tbh, I kinda wish the Eleventh was in it more? It's not that I like him so much, I've just GOTTA have more but... there's no real arching antagonist, it's just the author pointing Yuno at the nearest target and firing. I feel like the Eleventh would make a lot of sense as the main antagonist but he's just a diary holder at this point. The Twelfth isn't in it much but he's funny. I kinda wish he was in it more because he doesn't get much screentime and is the subplot to someone else's arc. Other than that, I really liked Akise. I kinda forgot he even existed before watching the anime so it was a nice surprise to see him again. Although speaking of Akise... I don't really get why the Survival Game even exists? Deus Ex Machina HAS an assistant, why didn't he just go "fuck you, Murmur, you're God now"? I guess she's shown time and time again to be biased and not qualified but you're telling me a five year old child is? I guess maybe they convinced him it'd be funnier to do a Survival Game? But also, how exactly does this work? Deus Ex Machina is dying and it doesn't seem like he was attacked, it just seems like natural causes. So if someone were to win this Survival Game, are they immortal? Are they eventually going to have to pick a successor? Gods in this series seem as susceptible to physical attacks as a normal human being but they also don't seem to age? How exactly did Deus start dying? Speaking of Deus, I wanna talk about Murmur for a second. I thought the post-ED epilogue skits were a nice touch, I found them chuckle-worthy and while you could have easily done a preview, I think it made me connect a lot more with Murmur than in the manga. I mentioned rape earlier and I feel like this leans into the trashier aspect of the show. Basically every attractive female has their tits out at one point or another in the show. Second, Sixth, Seventh, Ninth, both Hinata and Mao, even Yuki's crush pre-Yuno? Like, I'm not deducting points for it or anything but damn. Also, it's very Yuki/Yuno-centric? Which, yeah, absolute masterclass of a doctorate thesis there, SSP, "the main character is the focus of the show" but idk, I think it would've been cool to see some non-First/Second diary holders squaring off. Imagine Fourth v. Ninth v. Twelfth or Fifth v. Eighth. So how does this death game end? I actually really like it, although if you watch all the way to the end past the last ED, it starts poking at it to undo it, which I am not happy with. I won't spoil how it ends but it's a nice, bittersweet end that I think fits the story. Idk, it's kind of a junk food series. I wouldn't say it's an Objectively Good, scholarly masterpiece. It's kind of schlocky and more of a junk food show that you can blow through in a week or two. If you wanna watch a yandere go sicko mode on a bunch of fools, I would recommend. I don't think it's for everyone but it certainly has an audience, it's very popular for a reason.

Well, this is my first review of an anime, please don’t be harsh😅. To be fair, I enjoyed original series a lot, but I didn’t expect the movie to be THAT amazing. I am not a big anime geek or something, so it’s hard for me to judge drawing. I enjoy watching anime once in a while. And a lot of them are romance anime, so I was prepared for somewhat loner MC, but it was a pleasant surprise for MC to be that interesting. I really loved this movie, the plot was actually amazing. It made me, a grown man, shad a tear, not ... even one, probably:). I really loved it, probably because of a lot of factors, but the music made the experience SO much better, more beautiful even. After all, this was a wonderful series. I watched it all in a single evening. Thank you for reading.

I liked this anime for the first season, although I didn't really like it, but I think this anime is good enough to watch. Like the opening song in the first season, this anime seemed to be in turmoil and immediately rose to first place in the MAL rankings, for those of you who don't know this, but unfortunately this popularity only lasted temporarily. I was quite happy when this anime announced a second season, but from the thumbnail I felt something was strange. And it turns out my hunch was right, this anime is not what I expected. Why do I feel disappointed? Maybe I can explain some. First, ... this anime is about Idols, but for some reason in the second season, the storyline 100% changed to a different direction. What is this? I wonder! Why did this anime turn into an anime that tells about Theater? Aren't these the characters that are telling about Idol? Maybe some of you will say that this anime is not really an Idol, or that Idol is just a mother while her child is not, or that this anime tells about cyberspace competition, and other almost similar answers. Yes, I understand that, it's okay for the story to change into a drama actor, but there should be a process first, I saw that at the beginning of the first episode this anime was already on the drama actor path. Second, for the opening and ending songs, it doesn't seem to describe this anime, As we know, in the first season, this anime had good opening and ending songs, but unfortunately in my opinion, the second season was not as good as the first season. Third, from their voice actors, is it because I didn't rewatch the second season, hearing the characters in this anime speak feels different from usual. Or is it because the storyline has deviated from Idol to drama players that makes me think so? Whatever it is, I think the voice actors don't sound consistent from the previous series. Lastly, in the first season, the older brother was determined to find his mother's killer, but with the opening of the second season, he became a drama player, I think that would still be a long way off! I'm not a manga or LN reader, so I only know the development through the anime, so when this anime changed from Idol to drama actors, I found it very unpleasant to watch.

The only reason to watch Jujutsu Kaisen season 1 is to get to season 2 eventually. The second season completely blows the first one out of the water. Season 1 felt like a very average shounen. Season 2 was jampacked with action, fighting and story. While season 1 felt like it was progressing at a snail's pace, season 2 went nuts. The first arc was a prequel with a great story, action and villain. The second arc goes back to the current timeline and is very bloody and action packed. Every episode had something fun happening. It's just like the saying, "There are years where ... nothing happens and there are days where years happen." First of all, this is the best animation I have seen yet. PERIOD. That alone makes this deserving of a 10. It's like watching more than a dozen fights with the quality level of Naruto vs Sasuke. A complaint is when the fights are shitting lasers out the wazoo, it's hard to keep track of what is going on. The prettiest fights in this show are the ones where the power is limited and you can see what is going on. If you want your eyes to tear up, watch the Yuji vs Choso episode. It is the best animation I have seen. Sadly, some flaws leak over from the first season. A lot of the side characters are very uninteresting and they remain uninteresting in this season. In fact, the Kyoto students except Todo are all still annoying and irrelevant. The power system is still very convoluted just like in the first season and you don't understand what the hell is happening. Sometimes I do understand it, such as Achilles and the turtle and Choso's blood undergoing osmosis in a hypotonic solution. However, there is no enjoyment gained from understanding that. I still have no fucking clue what the basis is for Gojo's powers, it feels like a bunch of semi-relevant but completely separate powers. Then they start throwing terms like Reverse Cursed Technique without explaining them and it gets even more confusing. All of these complications..... for no benefit to the viewer.

talking about the best isekai anime, one thing I will say is it's hard, it's hard to determine whether Konosuba or Tensura, but if I have to talk a bit seriously maybe I will give this throne to Tensura (reincarnated as a slime) because this anime has a very interesting world building and story. a very satisfying story and doesn't get stuck in the mind. the story is light but still serious and delicious, I don't even get bored of watching it over and over again while eating. I give 100 out of 10 for this anime, an anime that I always wait for the new ... season. Light Novels never disappoint.

Burn the Witch obviously at this stage some obvious flaws as a result of getting pushed into such a small time frame but despite that I still think it was a fun watch. I feel like Kubo really wanted to go in a younger more colorful direction in contrast with the edgy and angsty style of Bleach and he has done that very well. This being set in the Bleach universe also brings up a lot of questions regarding what dragons are. Since they are basically a version of hollow, what would dragons be? Hollows come from the souls of humans while dragons seem to ... breed and hatch from eggs. How does the power system work? Could the Chief beat Goku? I came out of this with more questions than answers. I anticipate the direction that this series is heading and if another part of this gets released I will surely watch more.

I like that this anime doesn't have fanservice and that they don't make the main characters silly just because they are women, young women. Sometimes they do dumb things, but like most people their age would do. Anyway, there will be exaggeration because it is anime, and that's my reason I overlook things in this anime, and anime in general. I only see young girls experimenting and enjoying life. I love so many things about this anime, but I want to keep it short. In my view, the ending of “that” episode is exemplary among works in general. So touching and one of the best culminations I've ... ever watched. I would like to be more detailed, but writing a positive review for a work, which I rarely do, shows my whole admiration. I will remember and recommend this anime.

Konosuba or I often call it Konosubung in my local language is my favorite Isekai anime, I give 100 out of 10 for this anime, it's really amazing considering what I get from this anime is also amazing. the story template about the main character being reincarnated into isekai then having the task of defeating the demon king, but one thing that is different from other anime is that the story in this anime is very funny, instead of appearing fierce, the story is actually very silly and makes my stomach laugh. the characters are also very detailed, and strong in character, Kazuma is the MC with ... ridiculous skills, Darkness is my favorite, and of course our Goddess of Stupidity Aqua, Megumin with her explosions. the anime that I always wait for the new season, I hope it will be available soon to watch the new season of this anime.

If it had raunchiness, and vulgarity, heck, I’d even allow creepy sex jokes – it would live up to it’s potential and be a 10/10. It had a certain character who seemed to be that type, but it just didn't happen. Without those, it's not even funny bad, it's just bad. The episodes are 3 minutes each and they are so painfully PG that 3 minutes of it is just enough for the watcher to see what’s up, exhale through their nose (like you would when you see a funny short video on your For You page on that other app) and move on to ... the next show. Because every other 3 minutes would just be spent in vain, repeating the same re-clothed, reheated dinner type jokes with little to no flavor to them. It is pretty clear what this show was trying to do, it’s primarily a parody of the BL genre, harem, high school setting and everything that happens in those shows yada yada. But the issue with it is that IT DIDN’T GO HARD ENOUGH. AT ALL. When they first look at the cover art, what do potential watchers see? This freaky, purposefully made mess created in freaking MS Paint! That’s what drew me in, and I’d assume most of the other people. It looks completely insane, so why aren't the actual action and story as deranged too? Mind you, it does have some haha hehe wow silliness, funny ED and some predictable shock value elements (can you even call it shock if it’s predictable?) but with what this could've been that's the equivalent of standing in front of a huge buffet with all kinds of delicious and exotic food, and just taking a cracker. TL;DR: They look like freaks but they aren't freaky at all. :(

This is the best anime for the comedy genre, maybe even the best of all anime, I'm serious about it from the beginning to the end (finished) in which season I forgot because there are so many episodes, I never get tired of watching it. a very extraordinary comedy in my opinion, adult comedy, classic comedy, parody, politics, and so on. even the story can enter our dimension. my favorite characters are of course the MC, Gintama and also Hijikata and also Zura, all three are clowns in their respective groups haha. I even really hope that a new series of this best anime will be ... made again. the voice actor from Gintama (Tomokazu Sugita) is the best in my opinion, with his distinctive style that is very suitable for playing the stupid character haha. I give 100 out of 10 for this extraordinary anime, and will continue to hope for a new series of this anime.

First, I'm sure everyone here must know about One Piece. and understand how amazing this anime is, its long story and who knows when it will end. hehe indeed there are some things that I don't like about this anime, such as the bad powerscale, the shape of the characters that appear in this anime is not proportional, the mysteries that have not been solved but OdaSensei instead adds new mysteries that eventually pile up. and some other shortcomings. which some of you may also agree with me. regardless of all that, I give 10 out of 10 for this amazing anime. and hopefully we will live ... long enough to be able to watch this anime. hehe almost forgot, my favorite characters are Zoro and Luffy as well as Robin and Hancock.

Hunter x Hunter 2011 (HxH) has its flaws, but it is overall the most enjoyable shounen out there. The music is very good and fitting for the scenes in the show. It has strong story arcs and moments, although 2 of the arcs are tedious. The characters are a bit shallow, but their actions and interactions are entertaining. The flaws of the show are a lot of the time buried in its strengths so they are inconsequential. Sometimes, however, you do notice them rear their ugly heads. Most of the popular shounen have one thing that sets them apart from every other one. For example, ... for Naruto it was the final villains and their backstories. For HxH, its biggest strength is its flexibility when it comes to morality. A protagonist might have an evil or a good background. A good person can do evil and an evil person can do good. Everything happens within its context and every case is taken separately. One good example is an antagonist trying to develop a protagonist so he can savor killing him brutally when he's stronger. HxH is not interested in moral grandstanding. It's not about Gon talking down to every villain and doing self-righteous monologues. Everyone has their goals and they work towards them. Gon is a very useful plot device in that regard. A kid raised in the countryside whose end goal is to become a Hunter and in the process, learn what motivated his father to become a Hunter. Gon is curious to see and experience everything in his journey. Consequently, he tends to view things with interest rather than being judgemental. If Gon sees a technique for killing, his first reaction would be amazement rather than give a lecture on why killing is bad. Most of the show follows Gon and Kilwa. Gon is the curious, whimsical but dauntless child who wears his heart on his sleeve. In contrast, his friend Kilwa is careful and calculated. Leorio is comedic relief. Kurapika is my least favorite character because he is self-righteous and edgy. However, the show handles him really well especially after the first arc. At some point you don't really see Leorio and Kurapika that much because it doesn't make sense for them to always be together, plot-wise. It is best to view the plot as episodical rather than a continuous journey towards a certain goal. The structure of the show is multiple subplots that usually relate to some bigger overarching plot for a character. For example, an arc might be centered around achieving a certain objective which progresses Gon's end goal of finding his father. The biggest weakness of HxH is two very tedious arcs. The Greed Island arc felt like a filler arc, except for the very end of it where they just randomly throw you a conclusion that progresses the story. I personally view it as the author wanting to do a fantasy anime on a whim. Similarly, the Chimera Ant arc felt like it lasted an eternity. To add insult to injury, the climax had some really long scenes where time is frozen and they just narrate what everyone is thinking. It had a few strong moments, but I wish it wasn't so stretched out.

Mi perspectiva es desde alguien que no leyó el manga. El primer capítulo es muy bueno. La animación en blanco y negro me gustó, al igual que los personajes que nos van presentando. Sin embargo, la música no estuvo tan a la altura; creo que podría haber sido mejor en este aspecto. Conforme avanza, nos van presentando distintas historias relacionadas, pero la animación va decayendo. En cuanto a la trama, me interesó la idea que nos presenta el autor, pero, según los comentarios que vi, parece que está mejor llevada en el manga. Por ahí, algunos sucesos se nos presentan de golpe, y el impacto podría ser ... más profundo si empatizáramos mejor con algunos personajes. Tengo pendiente leer el manga; seguramente mi puntuación cambiará

So I just finished rewatching FMAB an hour ago and haven't stopped crying since. There is something almost magical about this series. It lights up a fire inside my heart. I adore it for all it is and what it did to me. Being on the older side, you can expect animation that is not as great as the newer ones, but honestly that doesn't apply for this one. I'm very focused on how the anime looks before anything else. FMAB surprised me. I appreciate that the production decided to use CGI very minimally (although the only thing I hated about it was Envy's true form ... animations). It gave a traditional vibe, but not the type that would annoy me personally. Story-wise, I liked that the focus wasn't ONLY on the Elric brothers. You get bits of stories, motivations, goals, thoughts etc. from various supporting characters. That, for me, deepened my attachment to this series. The entire plot was very well arranged. Nothing was rushed or too slow. Everything was explained clearly at exactly the moment you needed to know that information. Another plus, the plot twists. Although the end can be easily predicted, the journey in itself until there is getting slightly more complicated every episode. It was fun to see Ed and Al's adventures, hardships that they've gone through, everything they learned, and their trust in each other. As for character development, LET ME TELL YOU. I got towards the end loving characters I used to dislike or even hate (primary example: my baby Greed, I love him). Every participant in the brothers' journey got their truth spelled out, figuring out their objectives, setting new ones, forming relationships, changing their ways, finding out who they really are etc. It's spectacular to watch every character grow. For the last point, something that I personally love seeing in anime: the tint of romance. I liked that they made it as a sub-subplot ahahah. For some of the characters, it was clear as day, but for others, it was so subtle and thoughtful. Overall, FMAB is a masterpiece. Bonus points because the OST is so good. 10/10

It's not a bad movie, but it is a bit boring, and barely qualifies as horror, far far more of a drama. The commentary/exploration of idols/idolization-obsession/parasocial relationships/performance industries/(s)exploitation, oneself/one's persona/other's perception of you, delusion/reality/fiction, mental health, etc. was decent aside from embracing lookism of beauty=good, ugly=evil. Though some of it did seem a bit surface level. The story itself involved a lot of empty fluff scenes, and overall very little of interest happens other than in proximity to some dancing, SA, and a few scenes of violence. The plot itself is kinda predictable as only 3 or so options are presented for the narrative antagonisms and most end ... up being shown as such, and an unreliable narrative means most any of the other possibilities could conceivably be true as well. It was much more cohesive than the similar Paprika, though less visually interesting. I liked this marginally more.

Honestly, after the first episode I was going to drop it. Even though nothing happened with those aliens I was really uncomfortable with it. But I decided to do the whole "three episode" rule and it's actually a really fun watch! What surprised me the most is how sad episode 7 made me! Actual masterpiece of an episode! I can tell why the manga readers were freaking out about this despite what almost happened (and did happen) in the first episode. With that said, the anime is still obsessed with genitalia and it's really hard to recommend it to people who might be more bothered by ... high school children being the target for these ghosts and aliens in those ways.

*No spoilers* Summary Mobile Suit Gundam: Iron-Blooded Orphans follows a set of orphan child soldiers who form a group called Tekkaden, as they engage in an escorting mission through space. The story is part of the Mobile Suit Gundam (MSG) universe, though watching other MSG shows is not required. There are plenty of giant machine battles, as is expected in the mecha genre. The story starts off interestingly by introducing themes of freedom, liberation, war, mistreatment, and loyalty; however, the story develops more into action, battles, and politics which detracts from these themes. There are excessive characters, and very few of them have time to satisfactorily develop with ... all the action. Overall, this series may be of interest to you if you enjoy the mecha genre, sci-fi, and action, and you don’t mind subpar character development. If you are interested in a similar genre with more meaningful characters, dialogue, and thoroughly explored themes, then I recommend Eighty-Six instead. Story: 5/10 The story starts, captivatingly, with an emphasis on the mistreatment of the orphan characters as child soldiers. It begins to explore themes such as mistreatment, freedom, and loyalty, although most of these ideas fall short partway through the story. The plot incorporates political tomfoolery as the members of the Tekkaden group embark on an escorting mission. The pacing is satisfactory, although the plot accelerates partway through. This amplifies the action at the expense of character development. By the end, the story is complete, but the meaningfulness explored at the beginning is overshadowed by the action of flashing machines, space travel, and weird political figures with fancy beards. Whereas similar shows tackle political themes in a meaningful way, Iron-Blooded Orphans tosses in unnecessary political rules for plot convenience (or inconvenience, as is the case near the end). The story overall is average, and the biggest flaw is that the plot focuses too much on action and thrills and not enough on the characters. If you are looking for a generally straightforward story with an emphasis on action and moderate suspense, then this will likely suffice; however, the change partway through does detract from the overall meaning. Characters: 4/10 There is a plethora of characters in the show with insufficient time for them to develop because of all the action. Some barely have backstories, some are used merely as plot devices, and even some of the interesting characters are practically written out of the story altogether once their bland character arc is completed. This is quite problematic for any story, and it is especially so for Iron-Blooded Orphans because the story itself could have been compelling: The themes lend to character development, yet the story focuses on fights and uncanny political subterfuge instead of the characters’ decisions, wants, needs, emotions, etc. Ultimately, these characters end up generic and one-dimensional, despite beginning with plenty of potential. Art: 6/10 The art is a highlight for this show, especially for fans of action, since the majority is a bunch of giant machines blasting at each other. Some character designs are quite extravagant, especially with the fancy hair styles. These designs help to differentiate between the characters. Sound: 5/10 The music is generally dull and unforgettable, but it is adequate. Enjoyment: 4/10 I have never been a huge fan of the mecha genre because it often focused on action and battles over substance. I had read the reviews of Iron-Blooded Orphans and thought that this one might be different. It does start off nicely and seems to tackle meaningful themes, but I did not enjoy the second section because it shifted to action rather than developing the characters. Total score: 4.8/10 (low-average)

Vinland saga season 2 is a strong disappointment comparing it to the first season. There's hardly any action or suspense, the protagonist takes half of the season to come to terms with what has transpired and essentially wants to become jesus. The pace is sloggish, they deliberately make shots too long conveying no new information with the unnecessary extra seconds. The ideology of nonviolence that the protagonist goes for doesnt make any sense in the timeframe and setting, nobody during viking times would've been shocked by violence that was part of the culture that the warriors lived. I couldn't really care for many of the ... characters in the series even when their deaths were dramatized to the extreme. Furthermore, the spesific circumstances of the love triangle were also appalling. Without s1 I wouldn't have wasted my time for this. But also without s1 the expectations would have been different. I don't think you should change the genre of your anime between seasons. A classic tale of vengage is always more entertaining than a wannabe jesus with poor pseudo philosophical blabbering behind it.

The first notable observation is an average quality, neither very impressive nor bad, a standard for anyone who emphasizes image quality. The soundtrack is not up to the task of being remembered, very generic opening and endings that can easily be skipped. The lore is very poor, it is not something worked or cared for, there are so many contradictions in the emotions of the characters that it does not allow us to fully understand what it is about. A very common story in animes, it's just a matter of taste for you to identify with, so not much is expected. everything is very predictable so it is ... not worth speculating things,

Dungeon Meshi is a big plate that has full meal for you!! Whether you like it or not you will watch the entire series. WARNING for vegans & vegetarians planning to start the series, well some scenes you will hate it and some scenes you won't mind it but over all I guess it could be triggering at times to watch this show. (I'm not vegetarian btw) But this anime is a gore anime. Like there will be bones and blood. Anyways let's start the review shall we? Art, character design and world building: 10/10 This anime has the best art I've seen so far. Wish Earthsea had an ... adaptation and it looked like this. Character design and world building and everything feels so vivid, very cozy and extremely up-to-date like so 2024. Everything looks like it was drawn out of deviantart and reminds me of how art used to be before the AI. Characters and movement and the expressions seem all very organic, real and funny. Plot: 8/10 Food is the plot. I mean it has that sense of humor you could see in manga like Dorohedoro or Dai Dark where characters are carefree and focused on things but not 100% locked into their goals so many other things happen while they are on their way to their main goal. It's like every episode there is a main plot and gears are spinning but they are totally on the background and usually they have fun and a lot of things happen. I think compared to anime like Naruto where main plot episodes are really serious and progress is really slow then they add up fillers which are completely irrelevant, this is a better way to process plots. Like lots of fun and things happen slowly one by one. Overall rating: 9/10: I'm not a business man but I can be busy but I finished this anime in one sit. Like entire 24 episodes I binge watched! But my rating is 9/10 because I know that this anime may not be everyone's cup of tea.

This special is just pointless. The premise: the main character of the main series, Kotoura, briefly interviews the 5 main characters of the show, effectively providing a basic character synopsis for each. No matter which order you watch this special with the main show, it doesn't make sense: if you watch this before the show, it spoils the character dynamics and how they develop, and this provides nothing new for after you're finished watching. For positives: some of the jokes are somewhat funny, I guess? Oh! It's less than 10 minutes long, so it at least won't waste a ton of your time! Yeah, don't waste ... your time with this one.

This anime is a really great hidden gem. I think it's definitely worth a watch for its unique characters, humor, and surprisingly deep moments. Pros: 1) The biggest and best thing about this anime are the supporting characters. They break the stereotypical archetype of the Japanese beta male and have characters that aren't the biggest losers you've ever seen who have never even spoken to a female and get bullied by everyone including the mailman. These characters are... normal. They aren't the class losers, they've dated girls, aren't afraid to be tough or even physical, and talk like normal kids their age (they don't struggle to ... form the most basic sentence like most male characters in anime that are basically the lowest form of beta males who need a 30 minute internal monolog before they can even reply to the simplest question from a female). They flirt with and actively pursue girl their age and seem like they're just well adjusted. My favorite trait is how fiercely loyal they are to the MC and stand up for him every chance they get. The dynamic between this trio, their dialog, the way that they are all different but still all manage to be on the save wavelength, and just how cool they all are is what really makes this show for me. 2) The humor doesn't always hit. Sometimes things get lost in translation or Japanese humor just doesn't work with the western palate. But the majority of the time most of the jokes are very solid. I had a few laugh out loud moments. The humor tends to very typical Japanese humor (obviously) with things and facial expressions being dramatically exaggerated but it's different enough to stand out. 3) The surprising depth that is later revealed about the MC and his relationship with the love interest. While most of the time the anime isn't super serious or dramatic, the backstory of the MC meeting the love interest, and the backstory of the love interest's family dynamic was very touching. 4) The overall vibe and feel. This anime stands out because how just how different everything is; specifically the character and their attitudes. They're a friend group i would actually want to be a part of. They want all the characters eventually cross paths and interact with each other is always well don't. A bonus is there are no little girls being sexualized or no one that looks like a 7 year old (that's actually a 3000 year old demon who looks, sounds, and acts like a 7 year old) actively trying to be in a relationship with the MC. In a culture with lolis, where being a loser and a beta male, not having any experience with girls is the norm, its refreshing to see an anime like this with characters like this. Cons: 1) The animation and art style won't be what most people expect. Now, I've never been someone that cares about the animation quality. i don't value style over substance. I won't think an anime is the Bee's knees just because it was animate but some acclaimed studio while having the plot of a toaster. But even I can say the animation leaves a lot to be desired. I don't know how to describe it other that saying a lot of stuff just isn't... animated. They find other ways to show that events happened like still images or caricatures instead of the normal animations. I take it this was don't for budget reasons? I wish I could say it doesn't distract or take away from the anime but there are times where it does. It isn't a complete deal breaker though, as this isn't a battle anime or anything like that were it needs an A++ in animation quality. 2) The sudden introduction of a rival competing for the MC's love interest around episode 8 really threw me off. This character wasn't even mentioned before and they went on to be such a major part of the show. The MC plays a back seat role and isn't even seen as this new character steals the screen for a good 3-4 episodes. It felt so out of place. This wasn't the MC's anime any more, it was this new characters. Also the way the love interest was so smitten with the new character really felt out of place for the way her character was written. It made the MC look like a cuck at some parts or that he was competing for a woman that was already in love with someone else. It made you wonder if the love interest was even worth having if she could so easily be captivated by someone else even after knowing the MC loved her. 3) Poor pacing and introduction of random one-off characters are also a minor annoyance with this anime. There are big events that are built up that either get cancelled, never occurred, quickly glossed over, or turn out to be a minor event. I think this is a pacing issue more than anything. Also, in episode 7 (I think) so many random new characters are introduced (they are presented to be important but we never hear from them again) and these character have similar design to other characters in the main cast that it really made it hard to even tell who's who. It didn't help that for this episode many of the main cast were wearing disguised or dressed up (even dressed as the opposite sex). It didn't help things that certain characters are non-binary or androgenous. I was so lost that entire episode. Mixed: The ending was a good ending but it felt a bit lack luster. Things you normally expect to see at the end of a romance anime were not shown. While things did wrap up nicely, we were TOLD what happened instead of actually see it play out which as really unsatisfying. Overall I think its a great anime that was much different from anything this season and worth the watch for the characters alone.

Very intricate plot, great stories of struggle, tragedy, and triumph in a collapsed world. It is extremely, and I mean extremely, refreshing to see an anime that leaves critical elements of the story for you to connect the dots, I.e. it doesn’t have the cliché ‘aha!’ narrative that spells things out for you. It could have been a tad more dark giving us more of that ‘why did he have to die!’ moments. Although I don’t know how that would impact the fantastic humour. Nevertheless, I’m not saying it is not dark, it actually had me biting my nails and with a grieving heart enough ... times.Given the above, it is a solid 9, eager to give it a 9.5, but without making me break a tear from tragedy, I can’t give it the 10/10. In short, if you’re fed up with the la la land happily ever after anime era we live in now, this is a gem

Giji Harem is honestly such a refreshing romcom. It doesn’t just throw around the usual tropes; it plays with them in a really clever way. Rin, the main girl, is the soul of the show. Her whole deal of pretending to be different "harem" characters to entertain Eiji is both hilarious and heartfelt. You can see how much she enjoys it, but also how much she genuinely cares about him. And Eiji, while being the classic clueless guy, starts to notice the real Rin behind all her performances. Their dynamic is what keeps you hooked— both the comedy and the underlying sweetness. The voice acting really ... stands out here. Rin’s VA, Saori Hayami, nails every one of her fake personas, making each "role" feel distinct while keeping Rin’s core personality intact. It adds so much charm to her antics. And the animation captures every comedic beat and emotional moment perfectly, it’s vibrant but never over-the-top. Even the little things, like Eiji’s reactions or Rin breaking character, feel so genuine. What I love most is how it balances being light and fun with these deeper, more intimate moments between the two. It’s not just about laughs; you can feel the connection growing with every episode. It’s one of those shows where you can’t help but smile the whole time. Definitely a solid 10/10 for me.

this is what i call a master piece there was no part that felt boring the plot is well done, no characters felt annoying and mc has good and concise development throughout, i don't have any complaints about the story i would be interested in seeing where the parasites come from and have an individual arc but i think 24 episodes is good enough it didn't felt dragged at all, and the story there were parts where i felt it was predictable like certain deaths in anime but it didn't really ruin the anime in any way when the death of the character happend it ... felt like a fitting death, and the world is also interesting of parasites there was good world development too like how the government started reacting to the parasites i don't want to spoil anything but i think everyone should give this the 3 episode rule and im sure you'll love it go into this blind to get best experience this is what i call an anime that will stay in my mind for lifetime

A great watch for any motorsport or car enthusiast. The second season of the sequel to Initial D. I think the second season has improved in quality even from the first. The character and car animation is pleasant and the racing displays tons of excitement to watch. The story has solid pacing and doesn't feel rushed. The characters also have decent depth for being a show focused on racing (even if some of them are scumbags...). The OP and soundtrack are fantastic in this anime as well. This is a must watch if you are into racing and cars. Story - 8.5/10 Animation - 9/10 Enjoyment - 9.5/10 Characters ... - 8/10 Pacing - 8.5/10 Soundtrack - 9/10 Honest review from an honest anime enjoyer. Thanks!

I know why you are here. You probably heard some imbecile call this anime atrocious, or maybe the art style gave you the impression that this is a “so bad it’s good” hidden gem. A good candidate for that drunken watch on a Friday night, right? It couldn’t be further from the truth. The plot is nothing unusual for a romcom: high school boy falls in love with his teacher but she has a dark secret (is addicted to the 2D world), so he tries to emulate her favourite character. As with any comedy, the quality relies on whether the author is able to deliver fresh ... scenarios and jokes before the audience is able to predict the outcome in advance. As this is the case here, highlighted by a bright cast, this paragraph could end right here with a succinct positive recommendation. But this is not the slightly above average romcom of the season. This is one of the best litmus tests for appreciation of artistry in the anime medium. Bear with me. --- In any artistic medium, it’s easy to correlate a display of technical competence with overall quality. Bernini is rightfully known as a genius for transforming blocks of marble into seraphic representations of myths and legends. If you take “Apollo and Daphne” and compare it to that amorphous clay piece your nephew gave you after school, it’s easy to conclude the former is a superior form of art in technical terms (even though you may cherish your nephew’s present more than a free pass to the Galleria Borghese). Nonetheless, such correlation is not perfect. Art has a strong subjective component. If that was not the case, one of those thousands of “perfectly drawn portraits” we see on social media would be more valued than Picasso’s whole career, since they are a 1:1 copy of a real-life image, while Guernica looks like the aftermath of an ugly accident between Lego trains. Still, one can easily spend dozens of minutes staring at Guernica, appreciating every small detail in awe. The carnage represented by that one painting is arguably more effective in representing the horror of war than a carbon copy painting of a scene from a gore film. While browsing Instagram, you may find m@ndy009’s charcoal drawing of a horse impressive, but it lacks expressiveness if it's only a display of technical prowess. It’s nothing a good photograph couldn’t capture as well. Why is Guernica’s deformed horse more noteworthy? If you take a look at Picasso’s early works, you can see he had the capacity to paint however he wanted. So why choose simple geometric forms? There is a special component that separates good art from sublime art: artistry, or the creative vision to express oneself. My former examples were restricted to sculpture and painting, but we can make parallels to any other medium. Nowadays videogames can look as “realistic” as live action films, yet it’s hard to find any new decent game to play. The film industry is capable of using top notch special effects to make magic seem real; the only problem is how boring they make those magical worlds. The best music is not necessarily the most difficult to reproduce. The best book does not necessarily contain the widest vocabulary. In animation, a crisp art style with fluid movements may be good to look at, but I’d rather rewatch Texhnolyze than to follow the new seasons of a “sakuga porn”. Any piece of art is a collection of components assembled together to reach the finished product. Animation, script writing and soundtrack all can individually stand out or singlehandedly ruin an anime. You don’t need each and every one of them to be state-of-the-art displays of technical prowess to make an anime good. In fact, working within constrains or even choosing an alternative “subpar” style to better express their vision will arrive at a more meaningful result. Each part must serve the overall work. They can be compared to organs in a body. While your pancreas is not aesthetically pleasing to look at, it still serves a pivotal function. When you admire the beauty of Monica Bellucci, keep in mind her ugly pancreas is working just fine. --- Now, let’s make sense of all my rambling. Murai no Koi, to put it gently, has a minimalistic animation and art style. My middle school stop motion flicks had more frames than some scenes from this anime. However, this is not a problem at all. The direction was able to use those sudden movements and “camera angles” to maximize the comic delivery. Absurd inner monologues were perfectly matched by even more absurd facial and body expressions. Because actions sequences were in jest, not having that fluid movement was no detriment at all. The plot follows an appropriately erratic pace, which is only achievable if the production team is competent and not burdened by three sleepless nights in a row. You can see they were having as much fun as the spectator. Overall, it’s a breath of fresh air. Here you have an anime that escapes from the vicious convergence in art style and animation standards most series conform to (or fail trying to). The director understood the heart of the (already good) original manga. He then worked within his budget to deliver its full potential. Jokes and references land; all characters have their time to shine; the plot is paced properly. Everything works as a highly functioning organism.

Here’s the thing: I went into Jujutsu Kaisen Season 1 hoping for something exciting—something that would genuinely stand out in the sea of shonen anime. Instead, what I got was a show that’s just… fine. It’s not bad, but it’s definitely not great either. If anything, it’s the textbook definition of average. The story kicks off with Yuji Itadori, your typical kind-hearted protagonist, whose life takes a sharp turn after his grandfather’s death. His grandpa’s last words about helping others set the tone for Yuji’s overly simplistic moral compass. He ends up swallowing a cursed object (long story) and becomes the host for Sukuna, a ridiculously ... powerful demon. Cue the standard shonen setup: Yuji is spared from execution because someone has a "genius plan" to have him consume all of Sukuna’s cursed fingers, only to kill him later and eradicate Sukuna completely. It’s a decent premise, sure, but it feels like something we’ve seen a dozen times before in other series. The middle part of the show is basically a loop: Yuji and his squad encounter curses, fight them, and move on. The fights? They’re good. Some of the choreography is downright impressive, and MAPPA does a solid job with the animation. But let’s be real—most of the time, the animation and visuals are just above average. It’s not jaw-dropping or groundbreaking, despite what the hype might lead you to believe. Now, the characters… oh boy. Yuji, Nobara, and Megumi are fine, but that’s the problem—they’re just fine. Nobara has her moments, sure, but none of them have the kind of depth or originality that makes you think about them long after the episode ends. Even Gojo, who’s supposed to be the scene-stealer, feels like a trope: the overpowered, carefree mentor we’ve seen a million times before. Let’s talk about the villains in Jujutsu Kaisen Season 1 because, honestly, they’re just… there. They’re supposed to be these creepy, mysterious curses with a "high boss" pulling the strings behind the scenes, but it all comes across as so childish. Like, sure, they try to give them this air of superiority, acting like they’re above humans and all, but at the end of the day, they’re just monsters pretending to be deep. And then there’s the big attack during the school tournament. Seriously? Of all times, that’s when the villains decide to strike? It’s such a stereotypical move, and it doesn’t even have much of an impact. They show up, they get their butts kicked, and that’s it. No nuance, no layers, no sense of danger that sticks with you. They’re mid-tier villains at best, trying to be more than they are and failing miserably. Ultimately, Jujutsu Kaisen is watchable. It’s entertaining enough, and the fight scenes will keep you engaged, but there’s nothing here that screams “special.” It’s a decent distraction, but if you’re looking for a shonen that breaks the mold, this isn’t it. For me, it’s a 5/10—average, mid, forgettable. If you’ve seen one shonen, you’ve pretty much seen this one too.

Dandadan is an anime that In my opinion can simply be defined as a entertaining piece of fiction, albeit with a mix of admiration and some reservations. Having watched seven episodes so far, I can confidently say that it excels in many areas while leaving room for some constructive critique. The strongest aspect of the series lies in its voice acting and dialogues. The voice actors deserve immense praise for their stellar performances. They bring every emotion—be it humor, anger, or subtle nuances—to life with remarkable precision. Their delivery enhances the comedic and dramatic elements, making each scene memorable. In terms of voice work, Dandadan stands ... as one of the best I’ve experienced in the industry. The animation is another highlight. While not groundbreaking, it perfectly complements the tone of the series. It strikes a balance between being visually appealing and staying true to the quirky, unorthodox nature of the story. Certain episodes, particularly episode seven, showcased exceptional direction and animation that added to the excitement. The seamless blend of creative direction and animation in key sequences deserves special mention. Character dynamics are another charm. The relationship between the two main protagonists is engaging, and their interactions feel natural yet humorous. The introduction of a new character was also handled brilliantly, transitioning her from being perceived as a nuisance to someone viewers genuinely root for. The satire and absurdity of the show—where characters survive impossible situations with a shrug—add to its unique appeal. However, this un-seriousness also has its drawbacks. On the flip side, the lack of realism, while entertaining, sometimes diminishes the relatability of the story. The characters and their situations, though fun to watch, feel detached from real-world stakes, which can hinder emotional investment. Additionally, the narrative lacks a strong sense of continuity. While each episode is enjoyable, there’s often no lingering curiosity or excitement for what’s coming next. It’s a series that entertains in the moment but doesn’t consistently compel you to hit “next episode” with bated breath. Comparisons to other works, like Chainsaw Man, are inevitable. Dandadan feels lighter, less emotional, and less profound. This works both as a strength, as it makes for an enjoyable, low-pressure viewing experience, and as a weakness, since it doesn’t leave a lasting impact. It’s not the type of series you’ll remember fondly five years down the line as a life-changing watch. In conclusion, Dandadan is an entertaining piece of fiction that knows its strengths—fun characters, great voice acting, and solid animation. While it doesn’t aim to be profound or deeply emotional, it’s an excellent choice for those seeking humor and light-hearted storytelling. It may not redefine the genre, but it succeeds in being a fun, entertaining ride for the moment.

No. 1 of 9 of J.C.Staff's shows for Summer/Fall 2024: Murai in Love — The manga-turned-anime PowerPoint animation strikes again...it's just pure laziness, I'm telling ya...or this is just a modern animation technique that is perfected depending on the source material? In the modern age of the AniManga industry, where the age-old argument of "quantity vs. quality" is just as important as the years pass by, you can't doubt me in the face that while the industry is facing more shortages in manpower than ever, studios are "trying" to get creative in utilizing just about every and all animation techniques, not just to cut corners with ... the ever-decreasing budget but also to deliver within the insanity of deadlines for all anime projects. This has been the case for the once-renowned studio of J.C.Staff, helming the extreme insanity that is almost unheard of: nearing the total double-digit count of shows (including Summer's leftover that is 2.5-jigen no Ririsa a.k.a 2.5 Dimensional Seduction). That is just tipping the scales of Japan's notorious infamous Black Company-esque workplace, but I digress, because all of the studio's shows have their own flare that you could still watch them for what they are. This then, segways to mangaka Junta Shima's lone work of Murai no Koi a.k.a Murai in Love, a bare-bones rom-com between an adult and a student, and the similarity that helms that relationship is a fictional character from a game. On hindsight, this completed manga series enclosing 71 chapters within 7 volumes that once had an 8-episode live-action TV drama in Spring 2022 before the anime came around, I'm guessing the peeps in Japan having the chance to see the drama is a novelty in and of itself to experience the manga in live-action format (as opposed to something like anime). And 2.5 years later, the anime finally comes around...to be given J.C.Staff's once-heavily panned and now "solidified" motion-comic treatment that Gokushufudou a.k.a The Way of the Househusband got back in Spring 2021. Is this for the worse, or better, this time around? You be the judge. If you'd ask me what I think about age-gap romances, there is a "yes and no" depending on the circumstances in which the setting was set up to begin with. And in Murai no Koi's case, that would be the series's male MC named Murai: the cool-looking blonde-haired student who excels within his grade in school, who has the usual clique of high school friends (like you would any growing young adult), and the romantic love interest...of a teacher? As it turns out, his homeroom teacher of Ayano Tanaka is quite the teacher that more than the usual colleagues of the fellows around her, she is seemingly unmarried for her "young" and youthful-looking age. The problem with her (or as the students refer to her as "Tetsuko" because of her "steel heart") is twofold: she is only interested in the pseudonym character that comes from the Otome game that she plays: Hitotose, and the realization that like 2.5D Seduction, the difference between the titular fictional character and Murai himself is battling thealmost exact appearances in different 2D or 3D plains, that Tetsuko refuses to acknowledge that Murai is the splitting image of her favourite mobage character enough to consider him as a candidate for love, that confoundedly has been established since their childhood days (no spoilers on that). If the main couple just can't establish their connection, there's always the friends around them that would help make that E.T. establishment effort work. Murai's friends of Kiriyama and Hirai, as the chitter-chattering birds they are, are true "bros before hoes" guys who just want to see their good friend be acknowledged by Tanaka, while measuring up against the others who could jeopardize their relationship. The fellow classmates, ranging from the bros to the Nishifuji sisters of Yuka and Hitomi, who are related to both Tanaka and Murai are real craftswomen in the drawing department; they're like fans in the form of annoying flies around both of them in trying to strike a chord together. The real contenders are Murai's childhood friend of Yayoi Fukunaga and Tanaka's coworker of the "teacher from hell," that is Yamakado-sensei; they're the real trouble that the close friends must gander and bond together to avoid any and all confrontation of the worst possible scenario of both the Prince Charming and his Cinderella getting separated for good. This is where the comedy aspect does its best, and it definitely gives the anime a stretch of what there's to offer about Junta Shima's writing, which is not just fast but exacerbating to a degree that is quick-witted and holds nothing back in a surprisingly non-cliche manner. In a way, it leverages into the otaku culture and the constant gag humour that is a part of its bizarre shtick just to get the romance vibes going, and I can't say that I hate it, but it did get some chuckles out of me at certain moments. Of course, I need not say the Paper Mario-esque motion-comic that Hi Score Girl and Shinigami Bocchan to Kuro Maid a.k.a The Duke of Death and His Maid's director Yoshinobu Yamakawa took in his approach learning from fellow Gokushufudou director Chiaki Kon about literally "cutting corners" in animation by making the manga come alive only by colour and expression (I'm looking at you, Blue Lock vs. U-20 Japan). As mentioned, Gokushufudou got the bad apple of J.C.Staff going for the motion-comic style (and it's even ironic that its earlier Fall 2020 TV drama is leaps better than the anime), but for this show. it...kinda works? Sure, it's all over the place, but as I've mentioned, it depends on what the source material is like, and in this case, the motion-comic nomenclature perfectly suits the aethestic of Murai no Koi to a T. With Yoshinobu Yamakawa being able to add his own flavour into the anime, no matter how "bad" it looks, the other aspects help support the sole deal breaker so much that at the end of the day, animation takes a backseat for the main content to shine through. The OST is fairly lacking in spots, though it is just there for show and not really noticeable. Riinu's OP is especially catchy (that is if you speed the song up), and Yabai T-Shirts Ya-san's ED is a glorified mess of a mashup that has to do with the show's themes and genres, just plain forgettable. A mixed bag. If you want to try out Murai no Koi a.k.a Murai in Love, I'm sorry to say that you'll have to take J.C.Staff's motion-comic animation for what it is. I'll give it points for trying to stand out by taking a downgrade in one of the most critical aspects of anime, and in my case, it was a constant but consistent hit-or-miss experience. Maybe (or definitely) you'll have a better experience than I do, and at the end of the day, that's what counts as an opinion of not just one, but of the many.

Away from bustling streets of everyday people hastily making their way, past pitch black alleyways, and into dirty corridors occupied by a vast array of strange anthropomorphic animals, you’ll find yourself at a junkyard where the illustrious Mr. Stain resides. Sorry, did I say illustrious? I meant the complete opposite. Mr Stain is an unknown homeless man that spends his days scavenging the dirty junkyard for items he finds interesting. He’s joined alongside the many inhabitants of the back alley, but never in alliance with one another. For if something is found, everyone acts in their own selfish desires—often vile in executions for their own ... greedy self-gain. This place is dirty, disgusting, and brazenly violent. Yet it’s behind this veil of disgust that Mr. Stain presents to us a surprising depth of humanity and relatability, the kind that pushes you out of your comfort zone and defies sensibilities. Well, at least that’s what I get out of Masuda Ryuuji’s work. Because yes that’s right, this is another work by Masuda Ryuuji, the creator of Popee the Performer, and one that is often overlooked compared to its predecessor. Airing just two years after Popee the Performer and a run of just 13 short episodes and a 30 minute OVA finale, Mr Stain builds itself a unique identity that somehow takes even more creative liberties than Popee the Performer. Rather than working within the restrictive limitations of its budget and software, Masuda builds upon the creative foundations he built during the production of Popee and expands on them to achieve even more of his bizarre ideas in Mr Stain. However before we get into that, I need to preface this review with a recommendation to read my Popee the Performer review if you haven’t, as it adds much needed context for this review. Upon starting the first episode of Mr. Stain, the first thing you’ll notice is the detailed background designs, atmospheric lighting and effects, and a multitude of objects occupying the space. This is in direct contrast to the limitations faced during the production of Popee the Performer which took place in a simple, flat desert plain. Masuda Ryuji wanted to make the world of Mr. Stain feels more alive and interesting, thus a meticulous focus is placed on set design and atmosphere. Alongside this focus on backgrounds is a significant improvement to the camerawork. Part of Masuda’s decision to place Mr. Stain amongst tall buildings is a desire to express a sense of physical space in animation, much like a camera does in live-action films. By utilising 3DCG, he’s able to easily convey this idea due to the camera being a literal physical object within that space. It goes without saying that traditional hand-drawn animation can achieve a similar effect, but it requires an immense amount of time and skill. By utilising computer technology, Masuda is able to bring his desired cinematic style into animation. As Masuda Ryuji puts it: “The main attraction of 3D CGI animation for me is the potential to combine the best elements of live-action camera work and animated expression. In simple terms, with 3D CGI, you can virtually build a set inside a computer, similar to stage design in live-action, and place a camera within it to move around. This allows for realistic camera movements—such as circling around a character or raising the camera like on a crane—enabling direction beyond simple cuts.” (Masuda, Oct2009). You can see the result of this in the first episode, for example, when Mr. Stain and his cat buddy (if you can even call them friends) Palvan enter a room. Instead of cutting away to a different shot, Masuda Ryuki utilises the free flowing camera to crane upwards, showing the characters walking through windows, and up to the roof of the building, all in one seamless take. Mr. Stain constantly has shots where the camera circles around characters, such as in episode 2, which does a great job at establishing the surrounding area and showing unique angles and details you’d otherwise not see. All of this does wonders to bring the space occupied by Mr. Stain to life. This purposeful and meticulous focus on establishing a sense of space achieves realism, too. Unlike Popee the Performer, which indulges in its absurdity to form surrealist humour, Masuda attempts something completely different with Mr. Stain to achieve a similar level of surreality. The titular character, Mr. Stain, is deliberately designed with more human-like features; his movements are smooth and lively (in contrast to the rigid movements found in Popee the Performer); and he exhibits emotions and reactions the viewers can relate to. Mr. Stain is often portrayed acting illogically, such as in episode 3 where Mr. Stain falls in love with a portrait of a woman in a painting, to the extent that he’ll stop eating (and taking care of himself in general) to stare upon her figure for hours. Palvan attempts to please Mr. Stain by adding to the painting the image of Mr. Stain, but he becomes furious upon seeing himself, perhaps disgusted by his own image next to someone who, in his eyes, is perfect and beautiful. Enraged, he furiously rips apart the part of the painting that Palvan drew on, with a bloody hand from the broken glass shard he uses. This scene is raw in its disgust and incredibly uncomfortable to watch, and that’s the point. In Masuda’s own words: “People are emotional creatures. They tend to react emotionally more than logically. So rather than create designs written on paper, I have characters react emotionally - and interestingly - to the story.” (Masuda, 2006) With this idea in mind, Masuda is able to create characters that feel real. Characters you’ll find yourself genuinely compassionate towards. Characters who have a heart, in spite of the surrealist moments throughout the series. Masuda is also attempting to portray a “strange realism,” the kind that makes you feel uncomfortable on purpose to portray the rawness and brutality of this setting and these characters. To get an idea of what I’m saying, look no further than episode 4 where Mr. Stain finds a bird in a cage in the junkyard and, of course, tries to eat him, but he manages to escape. However, the bird then saves Stain from falling to his death, which leads to the two bonding with each other. But the bird died because the season changed and it was a summer bird or something like that. So Mr. Stain violently chops up the bird, cooks it, and stuffs it in his mouth. Masuda talks about in an interview about how when he was young he would see chickens being chopped up this exact way, so he was very used to this kind of unapologetic violence. All of these scenes are disgusting and uncomfortable. Mr. Stain’s art is weird and gross. Yet everything is portrayed in a strangely real and relatable way—exactly what Masuda is trying to achieve. Characters that are morally questionable and disgusting, yet undoubtedly human. It’s able to tug at your heartstrings and make you genuinely care for these characters, even after (or during) these brutal and disgusting scenes. Alongside the art amplifying a sense of realism, everything makes for such a surreal experience. If I haven’t sold the idea that Mr. Stain is incredibly surreal yet, during the last scene of episode 2, the lizard that hung out with Mr. Stain and Palvan dies and his ghost rips a fat cigar right in front of their faces before ascending to heaven. Everything about Mr. Stain is batshit insane, yet the fact that it’s able to build a world and establish characters that feel relatable is impressive. I’ve got one more quote from Masuda to ponder: “I’ve always been drawn to stories where things don’t quite come together perfectly, often with an ironic twist. It’s something closer to Terry Gilliam’s style of humour [Monty Python] than to typical Hollywood movies. I also loved manga growing up and frequently read works like Phoenix by Osamu Tezuka. It’s not a happy-ending story—instead, it explores themes like life’s disjointedness and challenges. And because of that, the ‘fate’ that sweeps the protagonist along takes on a strange weight, a unique realism. It’s not just gritty; it’s more like a vastness that leaves you awestruck once you finish reading.” (Masuda, Oct2009). I find Mr. Stain to be a significant part of Masuda Ryuuji’s portfolio of 3DCG anime for all the reasons I’ve discussed in this review. He was able to more freely explore the wicked, and oftentimes grim, ideas he has. You can feel his creativity overflowing throughout Mr. Stain, be it through the characters or set pieces. It’s a shame that Mr. Stain is often overlooked in comparison to its significantly popular predecessor, since I believe it provides a similar level of crude and wicked absurdity that made Popee the Performer so charming in the first place. And to end on a similar note as my Popee the Performer review, Mr. Stain is the idea of rejecting your sensibilities and embracing unconventionality personified into a story. Mr. Stain is the kind of anime you can very easily dismiss on a surface level for its strange art style and disgusting story. Yet it’s exactly these aspects that challenge the viewer’s sensibilities, as it’s able to portray a surprising sense of humanity throughout its surrealism. It’s visceral, raw, and real, all of which makes for such a truly unique experience that I highly encourage anyone interested to try. Thanks for reading this review <3. -Sources- - Masuda Ryuuji Interview for Mr. Stain https://www.youtube.com/watch?v=1LTagdc7pVg&list=PLtABcpnRh2OyYD6f6zHHyl7JOTRvvc7s4 - Adobe Education Interview https://web.archive.org/web/20141129032634/https://www.adobe-education.com/jp/interview/interview18.html

This is a story about an uncle who comes from another world according to the title. Reminding those who want to watch this anime, don't take the isekai in this story too seriously. Although there are tsundere characters, isekai characters, isekai powers, unique abilities, because some story is filled with humor. I like this kind of story because it is very entertaining and makes me laugh. I really enjoy it from the beginning to the end of the episode filled with funny stories, funny dialogues, funny characters. Main characters Ojisan and Takafumi managed to make me very entertained in every episode. some unexpected plots also make the ... story even better. Other characters like Fujimiya, Elf, Mabel, Alicia and her party also help the story become more interesting and of course there are many funny things. Musics, OP / ED are also good. Overall, highly recommended for people looking for entertainment, laughter, and funny stories.

Can an anime really go two for two? Absolutely. Initially, I thought this season might fall short compared to the last and while it lacks some of the elements that made the previous season truly unforgettable for me, it still holds up as a fantastic continuation. This season expands the world and dives deeper into the characters, individuals who have known nothing but war—forcing them to confront the question: what comes after? Their struggles and anxieties are evident as they grapple with the possibility of peace and among them stands a headless reaper, a complex character who, at his core, is just a boy trying to protect ... his friends from death. The story takes a fresh direction, exploring new facets of this war-torn world, and it all builds to an incredible conclusion as both worlds finally collide (I cried like crazy). While I still consider Season 1 the stronger installment, this season was an outstanding follow-up, one I’d happily rewatch again and again.

Not bad, not amazing, and kind of weird. This is not a bad anime by any means, I have watched much worse than this, but there's also some much better anime then this too, and definitely ones that are less weird. Let me elaborate on each point. The Good: 1. Really good animation quality for such an obscure anime, it's animation is really crisp, and bold, if can understand that. I almost find it to be a waste being used on this anime since it's so good. 2. The story is somewhat bland & cliché and feels like a lot of this is a small harem, considering the few women ... who like to follow the MC around. Now that isn't a forced plot point to this anime, more so it is a side detail, with the MC mainly just being another OP reincarnated MC who fights and protects his village. However, believe this; The MC actually has some values, and isn't a total sad loser or an awful douchebag?! Which is surprisingly rare with this type of anime for some reason. The story has a decent plot, which doesn't drag out, and the pacing is decent as well. The characters are a bit cliché, but they are good since they actually get a personality and are understandable in their actions and beliefs, with the MC having a good backstory to aid it all. The Bad: The positives, sometimes are the negatives. This is bland & cliché, so no matter the fact that I find this to be enjoyable, the story is something that could be put together by grabbing 6 reincarnation animes and shoving them into a blender, and filtering out the mediocre characterizations that you sometimes get. I wouldn't watch this if you have some other animes you have been looking at watching, since this is really just more of the same, with a little better animation and characters. That said, if you are bored, this is actually decent enough to keep you entertained, just keep in mind it isn't unique or magically special compared to anything else. The Ugly (aka, Weird): For some reason drinking in this anime revolves around milk. Now that wouldn't be anything I would care about, BUT for this anime it revolves around half human animals (see where I am going?), and the local drinking place is just a place where you drink a half cow/human's breast milk, which is also somebody's wife, and their daughter also gives out her milk too, see where I am going? This is kinda weird, and I agree with others that this seems like a disguised fetish of some kind. That said I don't think it ruins an entire anime over a 2 minute scene, but I wish that the producers would've just cut the scene entirely since it added almost nothing besides a moment to scratch your head and think "Why am I watching an anime where people drink a half human/cow's breast milk". 6.5/10, truly a milky experience.

Late review but i will review it. I have been waiting for the continuation of bleach anime since i finished reading the manga. Thank you, welcome back bleach, Ichigo. Thousand year blood war characters are finally animated. Hearing the voice of bankai again :) Voice, characters are very nostalgic, also new characters are very good animation in this season. Yhwach and the others, soul reaper, every episode i remember the manga storyline that i have finished reading and finally this has been animated it is very good. Also the fights in this season are very good. For newcomers so as not to be confused it is better to watch the ... previous bleach season For bleach fans it is highly recommended Continue watching the next season

This was the first anime that I saw. I was in my teens and it got me pretty well hooked on realizing that animated does not mean for children. There really is no more violent a story I had seen before this one. The whole concept of magic and whatnot was pretty familiar to me but the psychic ability and metamorphosis that happens were really something that captured me right off the bat. There are scenes in the movie that some may find disturbing, but it does not pull any punches when it comes the level of sheer realism when someone with a deadly superpower is unleashed ... on a city. Up until that point most of the superpower things that I had seen were all along the lines of Superman, Batman, and the whole cartoon lineup on Nickelodeon in the 90's, this was not the same. I know the movie is coming up on more than 35 years old now, but if you haven't seen it. Just watch it.

A jumbled mess of over-the-top anime themes and tropes combined in a fast-paced story that attempts to meet too many story points. This show, to me, seems perfectly written for the content rating demographic of PG-13. The culmination of all aspects of this anime fit what I would expect a thirteen-year-old boy to enjoy and look for. The story behind the show is nothing unique but it isn’t bad, the problem is the execution. The pacing of the story feels awful which is not surprising given the twelve-episode length but even for a single cour anime this one feels bad. Due to the pacing issues ... of the show many of the “side” characters or characters that are the focal point of “pivotal” scenes or events are simply that. Mainly one-off characters that serve a small purpose and then aren’t seen again. Many of the main events in the show just don’t feel very special or important. This can be seen tremendously in the last three episodes as these episodes focus on a world-threatening conflict, that boils down to the regret of the main character. The outcome of the conflict is not externally shown or even really reflected on by the main character, making the overall events seem unimportant and just like points on a checklist that need to be checked off. Another major flaw in the story can be seen via the synopsis of the show. The premises is supposed to be an overpowered “Demon Lord” reincarnates in a weaker state to find an equal that he can be friends with. At no point in the show does the main character state that he is weakened or give off the impression that he cannot use his full, pre-reincarnated, powers. The “equal” that he finds to be his friend is by no means an equal, she is a character that fits the same struggles he experienced in his previous life but even those struggles are only apparent until their relationship starts. The main character also supposedly wants to keep a low-profile but does nothing to do so, at every opportunity to hold back or fly under the radar the character does the opposite. Many of the characters and personalities in the show are boring or annoying. I don’t particularly mind flashy and repetitive characters commonly seen in rom-com anime, but this show was too much. All major characters of this show follow a standard anime trope or character-type, and many crank the dial to the max. Examples include your stereotypical bashful, jealous harem girl and your arrogant, domineering female warrior type. These are just two of many character types to expect in this show. I think both character types and even many of the others in the show are good when done properly but in this show many of them feel too literal in their representation of the character type and their template becomes their entire identity. By the end I felt no connection to any characters in the show and found myself really rooting for nobody. Sometimes a bad or niche anime can be saved by the power system or combat within, this is not one of those cases. The magic looks great and feels strong. I found myself thinking that a lot of the magic used would be cool to use in a video game. The system behind it is completely ignored outside of the first third of the show. The best “explanation” a form of magic gets in this show is, “that’s a lost technique” or “you can double cast?!?!” With some of the magical sequences in the show being extremely cool and story focused it is a real shame that the understanding is inferred rather than explained. On top of this, the sword combat is boring and unimpressive. All in all, the combat is rather bland outside of the main character’s magic. This show was not very enjoyable. It’s possible that as I have gotten older this sort of show doesn’t appeal to me anymore but with the poor story elements, over the top characters and themes, and lack of world or system building I just could not get into it. About half-way through I thought of just dropping it but stuck it out just in case to no avail. This show isn’t all bad as there are some funny moments but that is the pinnacle of the show, a few funny scenes.

im a fan of time travel anime, and i really liked how this series completed the whole story in only 25 episodes. i enjoyed the anime, but i put it on hold for a really long time (i stopped at episode 20) because there was something i just didn't like about it. after i finished it today, i realized what my problem with it was. i think there was too much exposition; from the start until the 24th episode, there was too much dialogue explaining what was happening instead of showing them to the audience, which i found dull or lazy. it felt like the show ... was spoonfeeding me with information instead of making me think about how and why the events in the anime occurred. they even over-explain the plot twists. additionally, the last episode was full of plotholes. though the ep's purpose might just be to give the audience a proper conclusion to the story, so i didn't dwell on it that much. don't get me wrong, it was an enjoyable anime and i recommend others to watch it so they can judge it themselves. it's a good anime to start with for time travel fans. overall, i'd rate it between 7/10.

As a man, I don't like what the MC did. It will just hurt them all in the long run, I know making decision is hard, I know choosing between the two is hard but as a man you need to make a decision. You can't say "I love you both, so wait for my answer", that's a total BS move. Don't come saying you need time, you 3 are freaking childhood friends, the MC have a lot of time to decide by that time. Even if we count the age of the 3, the MC can still decide. Sometimes in life you have to ... choose, you can't make a stand still, it is given someone will get hurt but if you prolong it, all will get hurt, so man up and decide. For making this kind of ending has just put the effort of the 2 in a sour end and making the MC a coward jerk. If this end is just a continuation for a new season for them to finish this, then I will be happy to score this higher and write a more appealing review, for now this is my stance.