Reviews

Okay so like, imagine waking up one day and thinking, “Hmm, what if capitalism but with demons, and also... boobs?” Yeah. That’s the OVA. This thing didn’t come here to win awards or make you cry or spark deep philosophical thoughts. Nah, it pulled up in flip-flops, slammed the door open, and yelled “FAN SERVICE TIME BABYYYY!” And honestly? It kinda delivered. In the most unhinged, what-am-I-watching kinda way. This OVA is like that one friend who says the quiet part out loud. The TV series already gave you a taste of what kind of mess this world is, but the OVA goes, “No rules. No ... filter. Let’s crank the nonsense to eleven.” The plot? We left that in the break room. What we got instead is vibes, chaos, and more bouncing than a trampoline park on discount day. The animation? Somehow both budget and extra at the same time. Like, you’ll be staring at this one scene going, “Did they just spend the whole budget on that jiggle physics shot?” and yes, yes they did. Priorities, my dude. Priorities. Characters? They’re here. They’re loud. They’re unapologetically ridiculous. Fino is still that girl with zero understanding of human decency and one hundred percent confidence. And Raul is just there like a tired employee who didn’t sign up for this but forgot to quit. The dynamic is dumb but endearing, like watching a soap opera written by someone high on energy drinks. I’m not saying it’s peak fiction, but I laughed way more than I should’ve. Like, ironically? Maybe. But at some point I stopped caring. Sometimes your brain just needs to go brrrr, you know? You don’t watch this OVA for depth. You watch it for unfiltered anime energy, the kind that makes you question your choices, but in a fun way. Would I recommend it? Depends. If you're into plot, turn around. If you're into “plot”—wink wink—hello, friend. Just don’t watch it expecting a revolution in storytelling. It’s a side dish, not the main course. It's that chaotic energy boost when you're bored and anime-deprived. At the end of the day, this OVA doesn’t try to be anything it’s not. It knows exactly what it's doing, and it does it with a smirk. And honestly? That kind of self-awareness is kind of iconic. You go, chaotic ecchi OVA. You live your truth. My rating: 6,1/10

Yo listen, if you ever wondered what would happen if the RPG final boss got clapped and then suddenly everyone’s outta work like it’s the Great Depression but make it fantasy edition—this anime is it, baby. It’s like someone took a JRPG world, flipped it upside down, and said “Congratulations, you’re a retail employee now, have fun with capitalism.” I won’t lie, I came into this show expecting trash. Like, real 2AM dumpster-level trash. And you know what? It is trash… but like, gourmet trash. This show is that perfectly seasoned instant ramen that has no business being that tasty, especially when it was cooked in ... a crusty microwave. The animation? Mid. The plot? Flimsy. The fanservice? Aggressively present. And yet… I watched the whole dang thing in one sitting like a gremlin with nothing better to do. The main guy, bless his unemployed heart, is just vibing in a fantasy electronics store. The man was supposed to be a hero but ended up selling refrigerators to orcs or something. And the demon girl? She’s like “Hi I’m your enemy’s daughter, please train me to sell toasters.” And instead of saying no, this fool’s like “Bet.” Sir. Sir. Now don’t get me wrong—this anime ain’t deep. There’s no philosophical dialogue. No layers of moral complexity. This is peak “boobs first, plot later” energy. But weirdly? It kinda works. The jokes are hit-or-miss, but when they hit, I laughed out loud like a hyena with no shame. It’s got that “I can’t believe I’m watching this, but I also can’t stop” energy. Also, can we talk about how everyone in this anime is just way too into their minimum-wage job? Like, y’all are doing product demos with the intensity of a battle shounen. I’ve never seen anyone try to sell air conditioners like they’re unlocking a secret final move in a fighting game. Respect. What actually got me, though, is how this show manages to sneak in just a tiny bit of wholesomeness between the chaos. Like, yeah, the fanservice is ridiculous and the plot is mostly vibes—but there’s this underlying theme about finding purpose even when life doesn’t go the way you planned. And lowkey? That kinda hit. But please, for the love of anime gods, do not go into this show expecting an epic. This is pure fast food anime. You don’t watch this for life-changing revelations. You watch it because you’re tired, dead inside, and need to see a demon girl get excited about learning how to run a cash register. So yeah. This anime? It’s dumb. It’s wild. It’s got enough plot holes to qualify as a cheese grater. But I had fun. More fun than I had any right to. And at the end of the day, isn’t that what it’s all about? My rating: 6,4/10

So, I came to Yuragi-sou no Yuuna-san thinking it’s just another “Oh no! I tripped and fell on your boobs!” kind of anime, but bro… I stayed for the pure ghostly wholesomeness (and the cursed-level fanservice that honestly made me question my morals every 5 minutes). Imagine getting haunted by a cute ghost girl who’s actually nicer than 90% of your classmates? That’s the dream—if your dream includes accidentally seeing underwear 12 times a day and still somehow being a good guy about it. The main dude, Kogarashi, is your typical broke but righteous shounen MC with fists of steel and zero chill. He’s broke, homeless, ... and spiritually jacked. Like, imagine if Saitama and a Buddhist monk had a son. That’s this guy. He moves into a hot spring inn full of female spirits because obviously that’s the only logical housing choice. And what do you know—every single resident is either cute, cursed, or aggressively in love with him. My man walked into an ecchi fever dream and decided to just live there. Now Yuuna, the ghost girl? Pure cinnamon roll. She’s sweet, clueless, and accidentally floats out of her clothes more than any ghost has the right to. But deep down she’s just trying to figure out why she’s stuck on Earth—and somehow not even annoyed that she’s constantly being launched across the room or seen naked every other episode. Respect for the emotional endurance. I’d evaporate from embarrassment by episode 2. What surprised me is that the anime actually has some plot. I know, wild. You come for the fanservice, but suddenly there’s lore? Powers? Backstories? The occasional feels? I didn’t sign up to care about these characters but here I am, low-key rooting for their weird romance ghost problems to be solved. Also, the fights? Kinda underrated. Dude throws hands with evil spirits like he’s speedrunning an exorcism. The rest of the girls? An entire lineup of “Pick your waifu, pick your chaos.” You got the tsundere ice queen, the drunk lady, the loli ninja (uhh... moving on), and the one who literally gets stronger by stripping. Like, I couldn’t make this up if I tried. And somehow it all works. You don’t question it anymore after the third accidental boob grab. The animation’s not winning Oscars, but it delivers where it counts. Every kick, punch, and unnecessary bounce is rendered with a budget that screams, “We spent it all on thighs and ghost effects.” Respect. The soundtrack? Decent, not super memorable, but it does what it’s supposed to do: make the bath scenes sound magical and the battle scenes sound like Dragon Ball Lite. Honestly, this anime walks that fine line between “Why am I watching this?” and “One more episode won’t hurt.” You’ll laugh, you’ll cringe, and you’ll probably raise an eyebrow at least twelve times. But in the end, there’s something so charming about how unapologetically wild it is. It’s not pretending to be deep. It’s just fun, dumb, slightly pervy chaos with a sprinkle of ghost romance. If you’re the type who enjoys shows where the MC is constantly one misunderstood grope away from being exorcised, and your heart’s big enough to accept ghosts, ninjas, and accidental nudity all in one inn, then congratulations—you’ve found your home. My rating: 6,3/10

Okay, real talk: watching Yuragi-sou no Yuuna-san OVA is like walking into a haunted house expecting ghosts but then the ghosts are like “ayo let’s hit the onsen together” and you just… roll with it. It’s ridiculous, it’s horny, it’s unapologetically extra—and somehow, it knows exactly what it’s doing. This OVA doesn’t even pretend to be deep. Nah fam, it shows up in a robe, tosses it off, and screams "FAN SERVICE MODE: ACTIVATE." This thing is like if a harem anime and a doujinshi had a baby in an onsen during a full moon while a tsundere girl yelled in the background. It’s the anime ... equivalent of a cursed hot spring coupon you accidentally use and now you’re stuck with fifteen spirit girls trying to kill you with love. Did I feel guilty watching it? A little. Did I keep watching it anyway? You bet your ecchi-loving soul I did. The visuals? Honestly too clean. Like, disturbingly polished. The animators probably had the time of their lives doing slow pan shots of jiggling physics that make no sense by the laws of nature. Gravity said “I give up” and the animators said “Let them bounce.” Every frame feels like it knows it’s in an OVA and is flexing because of it. Characters? They’re all walking tropes with zero shame and max energy. You've got the ghost girl who’s somehow more alive than anyone in the cast, the ninja girl who's allergic to modesty, and the guy who's like “I just wanna live in peace” while literally buried under cleavage. Development? Growth? Naw bro, that got left in the main series. This OVA just hits gas pedal and skrrts into the fanservice sunset. Dialogue ranges from "oops I fell into your chest again" to "I will exorcise you with my love" levels of insane. You can’t take it seriously—but that’s the whole charm. The show’s like “you came here for the plot?” and then drops a towel on the floor and everyone slips into madness. It’s dumb, it’s self-aware, and it’s got the energy of a midnight snack you’re ashamed to eat but still devour. Music? Irrelevant. No one’s watching this for the opening theme. You’re here for one reason and one reason only, and this OVA serves it hot, loud, and sparkly with moaning sound effects that probably made your neighbor question your life choices. You’ll never make eye contact with your earphones again. Is it art? Absolutely not. Is it culture? Maybe in an underground, shrine-maiden-worshipping, anime-dakimakura-hugging way. It’s not trying to reinvent the genre—it’s diving headfirst into it with a smirk and a splash. It knows its audience, and it’s not here to convert anyone. This is for the converted, the guilty pleasure elite. So, if you’re in the mood for some unfiltered chaos, soaked in ecchi energy and sprinkled with haunted house absurdity, then my friend… Yuragi-sou no Yuuna-san OVA is your steaming hot bowl of “what the heck did I just watch?” And you’ll finish it. And you’ll probably rewatch it. And no, I won’t judge. I’m right there with you. My rating: 6/10

Alright bro, let me tell you. Watching Classroom of the Elite season 1 felt like sitting in a classroom where everyone's secretly plotting world domination while looking like they just failed math. This anime pulled up with the vibes of a psychological thriller but dressed up like a school slice of life, and I was not emotionally prepared. You think this show gonna be about exams and homework? Nah. It’s about power plays, manipulation, and silent stares that last longer than my motivation on a Monday morning. Main dude? Ayanokoji? Bro is like if Google Search had trust issues and a six-pack. He talks like a ... sleep-deprived philosopher who’s two seconds away from deleting humanity. Now, every other character in this anime thinks they’re the smartest in the room. But plot twist—they’re in the same room as that dude. It’s like watching people play 4D chess on a desk meant for Uno. Some of them out here scheming like it’s Game of Thrones in homeroom, while others still out here wondering what the homework was. Also can we talk about the pacing? It’s got the energy of a caffeine overdose at first, but then it’s like the anime said, “Wait... what if... we just vibe?” So we’re vibing through episode 5 like, “Okay okay...” then boom! Betrayal. Drama. More staring. People talking in riddles like it’s a philosophy test. Visually? Clean. Animations nice, no janky expressions. But sometimes the background characters be lookin' like they got rendered last minute. Still, the aesthetic fits: dark, sleek, minimal—just like the show’s ability to explain anything clearly. And the soundtrack? Bro. That opening theme slaps harder than reality after summer break. But look. I won't lie. Sometimes the dialogue gets so deep it’s like they’re trying to quote Nietzsche just to order a sandwich. And don’t get me started on how half the time I don’t know if they’re flirting or threatening each other. Peak ambiguity. We love to see it. By the end of the season, I was invested, confused, slightly stressed, but 100% down for more. It’s like I got gaslit into enjoying academic mind games and now I want a sequel. Wait, no. I need a sequel. My soul requires it. My rating: 7,6/10

YOFUKASHI NO UTA SEASON 2 – FIRST IMPRESSION REVIEW I really wasn’t expecting much from Season 2, but it actually caught me off guard. The nights are still neon and cool, but this time there’s real danger. The cozy, easygoing vibe is gone—now it’s all tension and “what the hell is gonna happen next?” [Story] We’re back with Kou and Nazuna, but things aren’t chill anymore. There’s a real deadline now, weird new vampire rules, and actual threats—Anko’s out for blood, Kiku’s chaos, and suddenly nobody feels safe. It’s way less about romance, way more about survival. I didn’t see that coming, honestly. [Characters] Kou is still awkward, but at ... least he’s trying. Nazuna feels less untouchable, finally. Anko goes full-on menace mode, and Kiku? No idea what to make of them, but they make everything messier in a fun way. Everybody’s got their own baggage. [Animation] Still gorgeous—lots of neon, lots of mood. Fights look slick, tense scenes have weight, and nothing looks cheap. Direction feels sharp, like they actually care about how things look. [Sound] OP by Creepy Nuts is a banger again (can’t get it out of my head). Music keeps the mood on point. Voice acting is solid, especially when things get tense. [Enjoyment] Honestly, I got sucked in way more than with Season 1. It’s not just aimless nights anymore—there’s danger, mystery, actual stakes. I kinda miss the chill, but I like this direction a lot. [Final Verdict] Season 2 doesn’t play it safe. It ditches the old formula and just goes for it—darker, riskier, and honestly better for it. If you want another round of comfy night walks, you might be disappointed. But if you’re up for something moody and surprising, you’re in for a treat. Recommended for: * Fans of stylish, atmospheric anime * People who like tension, mystery, and character drama * Anyone who doesn’t mind a show shaking things up Avoid if: * You only want a chill, cozy romance * Slow pacing bugs you * You’re just here for light vibes Score: Story: 8 Animation: 8 Sound: 9 Characters: 8 Enjoyment: 8 Overall: 8/10

Oshi no Ko Season 2 is the moment where the show said, “You liked vibes and trauma? Let’s add theater kids to the mix.” And you know what? I ate it up like it was the last slice of drama-flavored pizza on Earth. I came expecting sparkles and lightsticks, but ended up getting backhanded by monologues and moral dilemmas in stage lighting. The whole season is basically an emotional chess match with high schoolers who act like they’ve already been through three divorces and a career burnout. And somehow… it works. I don’t know what kind of Shakespearean potion they drank, but these characters talk like ... their lives are movie scripts—and I mean that in the best, most unhinged way. Aqua? Sir. Therapy. Just one session, please. And Ruby? Baby girl is spiraling in 4K, and I was absolutely here for every second. Every line delivery felt like they were dropping lore bombs from a moving truck. You blink and suddenly there’s ten new layers of trauma. And don't even get me started on Kana. The way she’s acting like she’s chill but internally combusting every five minutes? She is the blueprint for all of us trying to act okay during group projects. Her arc made me want to lie down on the floor and reconsider my whole personality. The theater production subplot is wild. It’s like Glee but with murder vibes and no musical numbers. Everyone is acting for their lives, literally. You’d think it’s just acting, but no. These kids are having full-on philosophical breakdowns over scripts. And I? Lived for it. Now let’s talk about the visuals. Studio Doga Kobo really said “glow up.” The lighting? Cinematic. The eyes? Still hypnotizing. The colors? Poppin’ like soda cans in July. It’s like every frame got touched by a soft light filter sent from the heavens of drama. But here’s the thing: this season isn’t for the faint of heart. It’s slow. It’s talky. It’s all buildup and bubbling tension under the surface. If you came for idol songs and cute outfits, you might end up confused, crying, or both. Personally? I was just nodding like a sleep-deprived English major going, “Yes, yes, character studies!” So did I like it? Oh absolutely. Did it make me question my sanity? Also yes. Will I watch the next season the moment it drops even if it’s 3 AM and I have a final the next day? Don’t even ask. I’m already there. My rating: 8,3/10

Okay, listen. I started watching Oshi no Ko because everyone on the timeline kept screaming about “idols” and “babies with stars in their eyes,” and I was like, alright cool, probably some cute little slice-of-life idol show, right? WRONG. This anime pulled me into a van of emotional trauma, floored the gas, and didn’t even look back. I was emotionally held hostage, and I liked it. The first episode? Nah, that wasn’t an episode. That was a full-on cinematic event. They dropped a movie-length pilot just to set your soul on fire, and honestly? Bold. Legendary. I was expecting fluff, and they served me a psychological ... thriller with glitter on top. It's like eating cotton candy and realizing it’s laced with existential dread. Iconic behavior. But what really gagged me was how self-aware this show is. Like, Oshi no Ko straight-up drags the entire entertainment industry through the mud—and then does a twirl in it. It exposes everything: the manufactured smiles, the fake relationships, the manipulative marketing. And it’s all wrapped in this shiny, sparkly idol aesthetic that makes you go, “Wait... am I part of the problem??” The characters? Bangers. Every single one of them is suspiciously well-written. I don’t trust a single soul and that’s how I know the writing is good. Aqua’s on his “dark, brooding mastermind” arc, Ruby is the definition of sunshine with trauma, and Ai… well, Ai’s got me in therapy, okay? That’s all I’m saying. No spoilers, but she cooked. Like, five Michelin stars cooked. Visually? Stunning. The animation team said, “Let’s go insane on the eyes.” And they did. Every frame feels like it got individually moisturized and told it’s loved. The use of colors, especially during emotional scenes, is ridiculous in the best way. Also, that one moment where everything goes still and the background fades? Yeah. That was art. That was cinema. And let’s talk about that opening. “Idol” by YOASOBI? Certified banger. That song lives rent-free in my head, throws house parties, and doesn’t even pay utilities. I don’t usually rewatch intros, but I made this one my morning alarm. If you see me dancing at 7 a.m., mind your business. I’m just worshiping musical greatness. But aside from the glitz and memes, Oshi no Ko actually has some deep commentary about fame, identity, and the blurred lines between performance and reality. It’s wild how a show with literal sparkly-eyed babies managed to serve a buffet of existential despair, social critique, and revenge plotlines. It really said, “Here’s trauma, but make it fashion.” Now, was it perfect? Not really. Some pacing issues in the middle episodes, a couple of scenes that felt like filler—but honestly, I didn’t even mind. It was giving me so much drama, tea, and character juice that I let it slide. Sometimes messiness is part of the charm, y’know? In the end, Oshi no Ko Season 1 is one of those shows that grabs you by the collar and says, “You’re gonna feel something whether you like it or not.” And I did. A lot. I laughed, I screamed, I emotionally combusted at least twice. It’s chaotic, campy, and clever—and if you’re not watching it, what are you even doing? My rating: 9,2/10

I have a Zeon tattoo. I got it in 2011. I would like to think that would lend me some credibility in telling others what I think they should be watching in a franchise about people with large robots in space committing war crimes. I began watching this series with very low expectations, and knowing very little other than the fact that this was a timeline where Zeon had won the war. While I do find a lot of the story jarring, and a bit sporadic in its nature at how fast they try to push us through everything; I was not disappointed. It's definitely not ... the Gundam that I have come to love, but a brand new one that I am genuinely interested in. Cameos of familiar characters is always a fun thing, but meeting the new ones felt just as good. I think my only major gripe I really had with this was at times older character's designs seemed to clash with the newer more wide-eyed designs of the youths. I definitely enjoyed the throwback animation during the retellings of prior events, but jumping forward to everybody with bigger heads and eyeballs was something I didn't quite get over. You can listen to what the other reviewers are saying who gave this the lower score, and be highly cynical about mishandling of Universal Century lore, or you can just approach this as a fun new thing in the same way people approached other Gundam series such as build fighters.

Nobody Touches My Navigator!!! One piece: the movie 10 - strong world Is about the straw hat pirates meeting a legendary pirates, who takes an interest in they Navigator and everything goes to the zoo after that. When watching the movie I could just feel that the original Creator oda was in the writing seat. Hard to describe but just the way the characters talk and interact and the villains desires the perfect balance between serious and wacky it's just all there. Felt so much like the TV Show and manga, that you just knew that this one is not like the previous films. Especially Luffy I ... love the take they took on him in movie 6, but this is just right. And the story is a fun what if. What if this legendary pirate from the old days appeared and Luffy was in his way. It's just such a great experience to see if you're a fan of the franchise like me. The designs are good. The colors of them are weird. I don't think that usopp should be colored like everybody else, but the designs look good enough. If you are a Nami enjoy like me, then the movie is great fun and put a lot of focus on her. But all the straw hat pirates get some cool moment and especially when they all get in the suits, It is such an Epic moments. It is a solid one piece adventure and feel like a lost chapter of the manga. Would recommend.

To me, this felt like just another episode of the series—only this time, packed with a lot more crying. It wasn’t bad by any means, but as a movie, it felt a bit underwhelming. If you go in with high expectations, there’s a good chance you’ll leave disappointed. It’s better to treat it like an extended episode rather than a grand cinematic finale. That said, one thing worth highlighting is Sakuta’s character. In this movie, he comes off far more kind, mature, and self-sacrificing than how he was initially portrayed in the series. Still, in true Sakuta fashion, he ends up brushing it off and sticking ... with Mai-san, just as expected. In the end, it's classic Bunny Girl Senpai—emotional, grounded, and introspective. Don’t expect mind-blowing twists or climactic drama. Instead, expect a touching continuation of the same low-key, heartfelt storytelling the series is known for.

Unfortunately, Osomatsu San is an anime with many writing issues. These are the three most important ones I’ve noticed: 1. Tonal inconsistency: The tone of the series shifts abruptly between nihilistic drama and absurd comedy. In one episode, the protagonists' lack of productivity might be played for laughs, and in the next, get treated as a serious concern. When one of the boys says something like: "I guess we're hopeless, huh?" I can’t help but think: "Then why am I even watching this show? The comedy gets drowned by moments like these but there is not character development either" I'm not sure telling your audience that nothing ... they're watching matters is the right choice. xD 2. Lack of Characterization: Although on the surface the Matsuno brothers seem to have very different personalities, this is rarely show through the dialoge or the plot (which, by the way, often feels stagnant). Furthermore, their traits are quite contradictory: Choromatsu is serious and responsible (except he’s not), Ichimatsu is cold and psychopathic (except he’s not), Jyushimatsu is innocent and cheerful (except he’s not). I believe the writers were trying to make them deep and multifaceted, but this falls flat because they say their traits in a really expository way. 3. They are trapped in Twinity: This may sound nitpicky, but I'm becoming more and more convinced that this whole story is taking place in a 2008 online video game (the opening and outro animation reaffirm my theory lol). Characters that had potential, like Atsushi and Homura despawned and were never heard from again. The worst thing is that they introduced the Riceballs to make the plot more entertaining and I don't think they know what to do with them now. The Good Things: Even though my review has been quite harsh, I’d like to mention a couple of things I did enjoy. 1. The 2D Animation: I can really see the effort put into making the animation as beautiful as possible. The style is simple but expressive, cheerful, and dynamic. It’s very different from what we’ve seen so far, and that helps it stand out in a positive way. I also appreciate the attempt to differentiate the brothers through small details like their body language and facial expressions. It helps a bit with the characterization aspect I mentioned earlier. 2. The Premise: The idea of mocking certain aspects of contemporary Japanese society strikes me as both interesting and promising. After all, anime tends to present an idealized image of the country and Osomatsu San could have been for the Japanese what The Simpsons is for Americans. Furthermore, by taking a more absurdist approach, it isn’t restricted by the need to stay within conventional boundaries. In conclusion: It's not a horrible series, but it's pretty bad.

Season 2 of The Rising of the Shield Hero is a noticeable step down from its first, weighed down by breakneck pacing and uneven storytelling. While it introduces some strong new characters and continues Naofumi’s journey in a new world, the season struggles to give its arcs and emotional moments the time they need to resonate. What should have felt like major narrative developments often come off as undercooked or abruptly handled. The first half centers on the Spirit Tortoise arc, which begins with promise but quickly falters due to rushed pacing and exposition-heavy writing. The emotional climax surrounding Ost Horai’s sacrifice is one of the ... season’s rare moments that truly lands—her character is memorable and her bond with Naofumi is one of the few that feels fully realized. However, like many other plotlines, her story ends just as it begins to get compelling. The second half, set in an alternate world, had potential to expand the lore and shake up the formula. Kizuna’s introduction brings some fresh energy, and Rishia’s transformation from timid tagalong to reliable party member is a welcome arc. Raphtalia’s empowerment as the Katana Hero also should have been a major turning point, but everything moves too fast to feel earned. There’s a strong scene when Raphtalia, Rishia, and Filo help Naofumi resist the wrath shield’s corruption—one of the few times the season slows down enough to let emotion land—but it’s a rare exception. Naofumi’s own development is surprisingly stagnant. Unlike in Season 1, where he gradually built trust and leadership despite adversity, Season 2 sees him mostly reacting to events rather than growing from them. The other Cardinal Heroes continue to be irrelevant or incompetent, showing up just long enough to be captured or cause problems. Kyo, the new villain, is generic and vague, offering no real insight into his motives or ideology. He feels less like a true antagonist and more like an obstacle to get past. While Season 1 had its own pacing issues, especially in the middle arcs, it still gave its characters and conflicts enough time to breathe. Season 2, by contrast, crams two arcs into a single cour, sacrificing emotional buildup and world-building in the process. The alternate world setup could have added depth to the story’s mythology, but it ends up feeling more like a detour than meaningful expansion. The animation is decent but clearly a step down from the first season. Action scenes are less fluid, and several moments feel visually flat or off-model. That said, the music remains strong and consistent, and the voice acting is solid across the board—particularly during the more emotional scenes. Thematically, the season touches on loss, sacrifice, and the dangers of emotional isolation—especially through Ost’s arc and the wrath shield subplot—but these ideas are rarely explored in a meaningful way. Fan reception has been mixed, with some praising the new characters and world, while others criticize the rushed structure and lack of meaningful progression. There are good elements here. Ost, Kizuna, and Rishia all bring something fresh to the series. A few key moments remind you of the emotional power Shield Hero is capable of. But overall, Season 2 tries to do too much in too little time. With its rushed pacing, shallow villain, and limited character growth, this season often feels like a checklist of events rather than a well-told story. It’s not a total failure—just a frustratingly uneven sequel to a promising first season. I’m still planning to check out Season 3, but I sincerely hope it takes a slower, more thoughtful approach going forward.

I expected Horimiya something digestible. Bit of school-life fluff. Maybe a side of awkward glances and adolescent misunderstandings. Thought I’d breeze through it, form no attachments, and carry on with my evening like a well-adjusted human. Instead, I ended up watching teenagers unearth their emotional baggage in real time. Over curry. At first, it’s fairly standard: she’s the model student with a surprisingly domestic alter ego while he’s the quiet lad with piercings and a profound aversion to eye contact. A classic opposites-attract setup. Predictable, safe, just enough quirk to keep it marketable. I was prepared for a superficial watch. And yet, to my horror, ... I began thinking. Not about the romance, necessarily. Although that was fine, if a bit aggressively wholesome, but about how this show manages to cram years of repressed emotional development into scattered 20-minute episodes. People confess things in Horimiya they wouldn’t admit to their own therapists. Sometimes within five minutes of being introduced. Miyamura’s arc, for example, isn’t so much “development” as it is a slow emotional thaw. He begins like most emotionally neglected fictional boys: quiet, distant, mildly goth, but beneath all that is a very real sense of disconnection and internal self-loathing that felt a bit too… lived-in. Which was rude, frankly. Hori, meanwhile, is confusing on purpose. She's not just the pretty girl with a heart of gold, she’s got an emotional intensity that borders on compulsive. Her desire to be needed, to control, to be challenged, it’s not unhealthy, per se, but you do start mentally diagnosing her coping mechanisms by episode six. And then there are the side characters. Dozens of them. Each one walks on-screen, bleeds some deep-rooted emotional wound into a hallway conversation, and then disappears again. Presumably to journal about it in silence. No one in this show is emotionally simple. Not even the comic relief. Especially not the comic relief. The structure is, in a word, unstable. Episodes jump across time like memory recall. Conflicts are introduced, resolved, and emotionally unpacked all in the span of three scenes. Some arcs are so brief, I wasn’t sure if I’d actually watched them or just imagined the emotional fallout. Still, Horimiya has moments. Quiet, unassuming ones where the dialogue says less than the silence that follows it. Glimpses of what it means to be seen and accepted by someone who isn't obligated to like you. It doesn’t always land, and sometimes it feels like it’s trying to say six things at once. But when it hits, it’s weirdly disarming. I didn’t fall in love with the show. I didn’t cry. I didn’t romanticize it. But I did finish it and sit there, mildly irritated that it got to me at all. Would recommend, cautiously... no intention of forming any emotional attachments whatsoever.

English: I already feel like I'm throwing away what little reputation I have, now look where I'm starting. Also, written in my phone notes because MAL came out with their "your account must have been created seven days ago to post reviews" thing. Honestly, of all the shock videos from when I was in high school, this is one of the mildest. I genuinely believe that a lot of the criticism this anime receives is based on the homophobia so prevalent among otakus, rather than justifiable things like the age gap between the main couple, the simplistic dialogue, or the basic composition. It doesn't stand out ... in any particular way other than how infamous it is, but I'm sure there are worse things out there. I did laugh my ass off because the subtitles had slang words from a Latin American country that I honestly couldn't even name, but it was super funny. Español (la superior): De por si siento que estoy tirando a la basura la poca reputación que tengo, miren con qué lo empiezo. Also, escrita en las notas de mi celular porque MAL salió con su “tu cuenta debe tener siete días de creada para poder subir reseñas”. Sinceramente, de todos los videos de shock de los que se hablaba cuando estaba en secundaria, este es uno de los más suaves. Creo de forma genuina que mucha de la crítica que recibe este anime está fundamentada en la homofobia tan presente en los otakus, en lugar de venir de cosas sí justificables de criticar como la diferencia de edad entre la pareja principal, el diálogo tan simplón, o lo básico de la composición. No destaca en nada en especial más que en lo infame que es, pero también seguro hay cosas peores allá afuera. Eso sí, me cagué de risa porque los subtítulos tenían modismos de un país latinoamericano que la neta no sabría decir cuál es, pero estaba súper chistoso.

Jigokuraku (Hell's Paradise) really lives up to its name in a way... I mean I and everyone else who sees the title should certainly expect something grim/grueling/harsh right from the title. It centers around a bunch of death row criminals given a chance to re-claim their lives. All they have to do is find the elixir of life on this island. Does the elixir really exist? No one knows for sure, but some of the characters do have reason to believe it does. The show itself does focus more-so on one of the criminals more than any other. Gabimaru and his guardian Sagiri. As you may come ... to expect with the way things are presented in the first few episodes there isn't much character fleshing (aside from when they are being sliced and diced) which is fine with me in cases like this. I figured going into this one that it wasn't gonna be a story with a strong sense of character development. Without giving too much away the plot and what unfolds toward the end of the first season is kind of twisted. I actually didn't see it coming and I feel like I have seen enough anime to be able to pick up on the direction it was going... Jigokuraku is one of them shows that throw a lot of action at you with more than its fair share of blood and guts. It's not for the faint of heart, I will say that. However it does fill it's purpose very well if you are looking for a short fix with a lot of those things I just mentioned. Fights are done very well for what they are in my opinion as well. If you don't want to be left hanging I would wait until the second part comes out to watch this one. It was recommended to me by a friend and I didn't bother to look if it completed in the first season and now I am stuck waiting for the next one

7.5/10 ~ Fun ride but not as deep as it pretends to be Lazarus is a bit of a weird show, its pretty fast pace the whole way through and before you know it, its just over. Great animation and music follows you the entire way. The story however had a pretty interesting premise and the show is riddled with high philosophy and religious undertones. Here is where my praise stops, the story itself with a good premise just kinda falls flat and turns into a hide and seek. The characters are not that deep and honestly are a bit cardboardcutouty, and they even managed to ... go on sidequests during this race to the finishline in a 13 ep series... bit of an odd choice all around. Oddly enough all I could think of while watching this was "where is laplace's box". Despite this the show gave me the feel of Cowboybebop+BlackLagoon+Jormungand If Cowboybebop is one of your favorite animes of all time you will probably find yourself at home here. For everyone else the show is short enough where I would be surprised if people just down right hate this one, its just fun and not amazing by any means.

When I first started Fruits Basket, I expected fluff. Soft colors, soft girl, soft story. Within five minutes, I was already preparing my mental list of critiques. The main character? Too nice. The pacing? Too slow. The premise? Talking animal boys? Really? But for the sake of personality analysis (and definitely not because I accidentally got invested), I continued. That being said, I wouldn’t call this an easy watch. Not for someone like me, anyway, someone who prefers emotional depth delivered efficiently. Fruits Basket takes its time. Sometimes a little too much time. There were moments where I found myself staring at the screen thinking, ... “We get it. Trauma. Move on.” But then the story would hit me with a line or a quiet moment so precise, so emotionally astute, that I’d shut up and rewind. Let’s talk characters. On paper, they’re all tropes. In execution? Surprisingly layered. I found myself analyzing them more than feeling for them. Kyo’s anger, Yuki’s internalized self-hatred, Akito’s downward spiral, all genuinely fascinating. It’s like someone took a family therapy session and turned it into a zodiac-themed anime. Then there’s Tohru. She tested my patience more than once. That level of selflessness felt unrealistic at first. But the more I watched, the more I realized it wasn’t naïveté. It was a conscious decision to be kind, even when it cost her. Still, I couldn’t shake the sense that she was too perfect. Too consistent. It made her hard to relate to, even if I respected her. The show’s pacing can feel glacial, especially in the first season. There are episodes where not much happens, emotionally or plot-wise, and it made me wonder if the emotional payoff would actually be worth it. The final season especially delivers something rare: a genuine resolution. Characters grow. Forgiveness feels earned. Relationships mature. There’s no cheap catharsis, just a long, drawn-out confrontation with the past and the quiet decision to move forward. So yes, I respected it. Admired it, even. But I can’t say I loved it. It’s the kind of show that reaches into your chest slowly, rather than grabbing you by the collar. It didn’t emotionally wreck me, but it did leave me… thoughtful. Uncomfortably so, at times. Would I recommend it? Definitely. But only to those who can sit with emotional discomfort and aren’t allergic to introspection wrapped in flowery dialogue.

not according to my expectations, entering into isekai with overpowered power but the MC has a loser mentality. in the original world he was already a failed human, given a chance in the new world but he wasted it. So far from 3 episodes I'm disappointed, it's only good at the beginning when he gets the power of the god OP cheat, the rest is very disappointing, he hides his powers (this is the most annoying). The MC has a loser mentality (no ambition / purpose in life) just like wanting to help his friends, ugly in my opinion. if this is an anime of an uncle ... who enters isekai with the aim of living a relaxed life, it would be better if a cooking scene was made with comedy, or making a kingdom, which has a relaxed theme. but instead he just wants to help his friends find the meaning of life in isekai, what a boring story, then what is the point of overpowering his god-like strength, his enemies are also only goblins and weak people. the MC is physically unattractive, and mentally unattractive too, naive people. mentality loser. next is about the graphics, or artstyle, game-themed but looks old school and ugly in my opinion. these are some of the things that make me not interested in continuing to watch and of course I don't recommend it. my criteria is a comedy isekai anime with overpowered MCs who are funny cool and cunningly clever, this is outside my preferences.

Freezing Season 1 is a high-octane fusion of intense battles, gripping sci-fi lore, and surprising emotional depth that sets it apart from the average action-ecchi anime. While it doesn’t shy away from fanservice, beneath the surface lies a compelling narrative, intriguing character dynamics, and an undercurrent of emotional weight that makes it much more than it initially appears. Set in a world under siege by interdimensional invaders known as the Nova, humanity turns to genetically enhanced young women called “Pandoras” and their male partners, “Limiters,” to fight back. The premise provides the perfect backdrop for dynamic combat sequences, brought to life with sharp animation, brutal choreography, ... and a genuine sense of danger that raises the stakes. At the heart of the story is Satellizer el Bridget—a cold, aloof Pandora with a haunted past—and Kazuya Aoi, a kind-hearted but persistent Limiter whose emotional connection with Satellizer gradually breaks down her walls. Their evolving relationship adds a layer of humanity to the chaos, giving the show an emotional resonance that’s often overlooked in similar genres. Satellizer’s inner struggles and trauma are handled with surprising sensitivity, offering viewers a protagonist who is both powerful and deeply vulnerable. The world-building in Freezing is another standout aspect. The blend of military academy structure, sci-fi technology, and hierarchical tension among Pandoras creates an engaging setting that invites deeper exploration. Themes of trauma, control, and inner strength are present throughout, especially in the battles, which often feel as psychological as they are physical. Yes, Freezing features a fair amount of fanservice—but it never completely overshadows the narrative. In fact, it often plays into the psychological warfare and power struggles between characters, rather than simply existing for visual appeal. For those willing to look past the surface, there’s a genuinely powerful story here—one of healing, loyalty, and the will to fight against overwhelming odds.

Season 4 of Rent-A-Girlfriend is, sadly, more of the same—and that's not a compliment. Much like its third season, it offers little more than recycled drama, shallow character development, and an infuriatingly spineless protagonist. Kazuya remains the poster child of what many would consider an insult to masculinity: a cowardly, obsessive simp who continuously makes questionable decisions and never grows as a person. If anyone finds themselves identifying with this character, I genuinely feel sorry for them. His behavior often borders on stalking, and watching him fumble through yet another season of self-inflicted misery becomes more cringe-inducing than entertaining. What makes it worse is that he has ... Ruka Sarashina—a loyal, energetic girl who literally throws herself at him and is more than willing to be in a relationship. She’s kind, devoted, and constantly proves how much she wants to be with him. But Kazuya? He ignores her completely in favor of hopelessly chasing his fantasy of dating Chizuru, a girl who has repeatedly shown disinterest. His obsession isn’t romantic—it’s pitiful. The only redeeming aspect of the series continues to be its female characters, who are written with far more depth and visual quality than the lead. It's ironic—Rent-A-Girlfriend is supposedly centered on Kazuya, yet the women around him carry the entire show. Adding to the discomfort is the manga author's bizarre online presence, where his obsession with one of the characters spills over into social media in unsettling ways. It’s hard to separate the art from the artist when the creator’s public behavior casts such a strange shadow over the work. What’s truly infuriating—and downright laughable—is the fact that a series like this has been renewed for four full seasons, while genuinely heartfelt and well-crafted shows like Our Dating Story: The Experienced You and the Inexperienced Me, Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway, Interviews with Monster Girls, and Bloom Into You have either been left hanging or never even got a second season. These shows offer emotional maturity, character growth, and meaningful storytelling—things Rent-A-Girlfriend has actively avoided since day one. In the end, Season 4 is just another loop in an endless cycle of mediocrity. It relies on tired tropes, fanservice, and emotional manipulation, with no interest in evolving or respecting its audience’s intelligence. Unless you’re here purely for the girls or enjoy watching a protagonist fumble through the same mistakes on repeat, there are countless better anime far more deserving of your time—and a second season. Hopefully, this will be the final season. At some point, even the most patient viewers deserve closure—or at the very least, mercy.

I am very stressed with the MAL review system, seems to have a word count. But come on, try to give an opinion without spoiler, leave concise, and worth reviewing someone wants to read First, as I am a designer/penciller, I applaud the animation. A job well done. I don't know if they used Rotoscopy, but a lot of scene was excellent. No, I don't think they used rotamcopy About the Castle 3D, Without this this animation would take 5x more time to be done, or it would be much simpler And, in terms of history, many emotions Some moments represent arches, end long, but, as I didn't read the ... manga, I believe it is 100% of the manga, without extra/filler

My #1 Favorite anime ever Time travel is one of my favorite themes in fiction, and Steins;Gate is hands down the best execution of it not just in anime, but in general. The biggest issue with time travel stories is usually coherence and how hard they are to understand but tbh, I understood it, even if there are a few small details I didn’t fully catch. A lot of things can be figured out through context, and anyway, there’s always the original visual novel if you really want to dig deeper. The first part of the anime is great, it's develops the characters and introduces the core concepts. ... But it’s the second half that makes this anime worthy of being top 3 on MyAnimeList and absolute peak. Tons of reveals hitting you like a truck, scenes that’ll make you cry your eyes out, and even some sweet romance sprinkled in there. it’s one of the best VN adaptations and one of the greatest anime ever made.

I watched the first three episodes that are already available, and I'm surprised. I wasn’t very interested at first after watching the trailer, but when I saw the first episode, it really caught me off guard. It’s true that the second and third episodes aren’t that great in several aspects, but they’re not terrible either. I hope things improve in the upcoming episodes. Now, the opening is insane. The animation and the song are amazing. In my opinion, this really adds a lot of value to the show. Lastly, in terms of visuals and animation, it’s quite good — way better than any generic anime. It's true ... that you can notice a slight drop in quality in episodes 2 and 3, but it's minimal. For now, I recommend the anime because, all things considered, it’s actually pretty good.

Grand Blue season 2 is here… and guess what? It’s just as stupid, chaotic, and downright hilarious as season 1. 3 episodes in and I’m already wheezing like an idiot. This isn’t “just comedy,” this is peak degeneracy and I love every second of it. The squad’s energy? Still unmatched. The faces? Even dumber. The jokes? So dumb they loop back around to being genius. Seriously, it’s Grand Blue no brain cells required, just vibes and pure laughter. Do I have any complaints? Nope. Zero. Nada. This is Grand Blue doing exactly what it was made to do: make me laugh so hard my neighbors ... think I’m losing it. Season 2 isn’t trying to reinvent itself and thank God for that. It’s still as dumb, loud, and brilliant as ever. In short, if you wanna turn your brain off and laugh like there’s no tomorrow, watch Grand Blue. It’s proof that stupidity can be art

Almost nobody is watching this show so I figured I would give it a try. Turns out that Bullet/Bullet might be the most underrated show this season, as it is a fun and wild ride that really ramps up each episode. The first two episodes are a bit slow and while there are hints of potential, the show really holds back a lot of the cards it has to play. As the show progresses though, we get some pretty major twists and turns and the show really starts to find its pacing. The characters and world get more fleshed out, the plot becomes more complex, and ... the show starts making a lot of reveals and really brings back a lot of the little details I just brushed off. The world building here is honestly pretty interesting but I won't spoil anything. As for the production side of things, the animation and visuals are fantastic. The character animation is consistently great and the fighting scenes honestly go hard at times. The OST is great and really adds the rights vibes to whatever the scene needs. The OP song and visuals are top tier. The only flaw is that the CGI car animations are really not that good. By the end of this first batch of episodes, the characters really started to develop some good chemistry and became lovable. This show does have some pretty goofy and silly moments so it's important to not take it too seriously, but as a fun show with some more serious underlying themes, it works really well. Hopefully the final 4 episodes do these first 8 justice.

Little Witch Academia: The Movie offers a visually rich and energetic experience, but its story struggles to rise above familiar tropes. The film follows the enthusiastic but reckless Akko as she chases her dream of becoming a witch, echoing the underdog formula without much deviation or surprise. Animation is undoubtedly the highlight—Trigger delivers vibrant action scenes and expressive character work throughout. However, the narrative is predictable, character arcs are shallow, and emotional moments feel rushed or unearned. While charming and suitable for younger audiences, the film lacks the depth or innovation to leave a lasting impression. A colorful but formulaic magical adventure.

Little Witch Academia is a visually polished and charming short that delivers on energy and style, but falls short in depth. The animation is fluid and expressive, showcasing Trigger’s signature flair. Character designs are memorable, and the world feels lively despite limited runtime. However, the story is simplistic and highly predictable. Character development is minimal, with archetypes instead of fully realized personalities. While the tone is upbeat and accessible, it lacks emotional or thematic weight. As a proof of concept, it’s entertaining and full of potential—but as a standalone story, it offers little beyond its visual appeal. Fun, but forgettable.

The Enchanted Parade expands the world of Little Witch Academia with more characters, higher stakes, and a longer runtime—but doesn’t fully capitalize on the opportunity. While the animation remains vibrant and fluid, the story feels stretched, with pacing that drags despite the short runtime. New characters are introduced without much depth, and returning characters don’t show significant growth. The central conflict is predictable, and the message—though wholesome—lacks the freshness of the original short. Visually, it’s still a delight, with expressive animation and lively action scenes. However, strong visuals alone can’t compensate for a thin narrative. A charming but underwhelming follow-up.

Mysterious Disappearances is gorgeous, playful, and otherworldly. In many ways, many of its strengths are firmly rooted in its aesthetic and the way it chooses to portray the mysteries at hand. Beginning with its story, it's notable for the fun grasp of the peculiar metaphysical phenomena it features, ranging from old mythical entities steeped in Japanese history and folklore, all the way to brand-new urban legends given life by modernity and actively evolving as time goes on. It strikes a good balance between episodality and the structure of an overall story, but personally I was more interested in the mysteries our main cast of characters ... were solving as a team, more than the actual throughline plot that provides the drive for their motivations. Still, even if I wasn't as drawn in by the overarching plot, it's still a world that's compelling enough to remain interesting and filled with tantalizing detail. This is all brought to life by the strongest aspect of the anime, which is easily the art. The art is colorful and unique, handling its visual content of strange, otherworldly anomalies in such a way that feels appropriately ethereal and strange, while giving the human cast a heavy measure of expressiveness and visual interest all its own. Even with its prominent ecchi elements, it still seems to give more care to other aspects of their character's designs, like their eyes and hands. The art style, even if it sometimes has trouble with proportions, manages to be distinct in a modern creative field where everybody is trying to achieve exactly what it has- artistic originality. The sound is solid, with a great voice cast that blends emotion and levity into every scene, and this is even the case with the secondary and tertiary characters as well. Speaking of which, the characters are strong, and the show wastes no time making them feel relatable, human, and distinctly imperfect. I really enjoy the dynamics of our main trio, with Sumireko, Ren, and Oto, forming a kind of supernatural team that feels entertaining to watch because they're not all-powerful or inherently perfect. Outside of the main trio, my favorite characters are Shizuku and Nodoka, namely because their episodes had the most compelling mysteries, and how they found themselves impacted by these brushes with the supernatural was well-written in two entirely different ways. Overall, Mysterious Disappearances is a fun, gorgeous title steeped in folklore and the internal logic of a fantastic world just behind the everyday. As such, this is an anime which is easy to recommend.

Lost Song presents an intriguing blend of fantasy, music, and political conflict, but struggles to fully deliver on its potential. The premise—a world where songs possess magical power—offers a unique concept, but uneven execution and tonal inconsistency weaken its impact. The plot starts predictably and only begins to take risks midway through. Twists arrive too late to elevate early pacing issues, and worldbuilding feels underdeveloped. The emotional weight of key moments is often undercut by clumsy dialogue and rushed character arcs. Visually, the animation is functional but uninspired. Music—central to the story—is solid but not consistently memorable. An ambitious concept hindered by shallow storytelling and a lack of ... polish.

"Lift your head and leap out, okay!" CITY THE ANIMATION is a gentle hug in the form of a series. Adapting Keiichi Arawi’s work, this anime doesn’t try to teach you a big lesson, nor make you burst out laughing (though it may do), nor break your heart with drama. Instead, it keeps you company. It reminds you that there is beauty in the everyday, tenderness in the absurd, and in simplicity… life. In the city that gives the title its name, life happens. We have Nagumo, Niikura and Wako, but it feels like there are no absolute protagonists or fixed direction. Young students, college stundets, adults, ... the elderly... A restaurant, an editorial, a soccer team... each with their own rhythms, desires, and quirks, together have a chaotic and endearing connected web. There will be over-the-top events, but there are shared silences as well, CITY lightly and discreetly explores the profound: introspection, identity, community, the uncertainty of the future, and the miracle of small moments. Because CITY is about that. About living in the present. About finding the beauty in the ordinary. About appreciating a silly conversation, a sunset for no reason, a friendship without labels. Characters aren’t defined by their titles or jobs, but by their passions, their bonds, even their spontaneous reactions to life! Some don’t even have names, and yet, all of them have a role. In this CITY, everyone matters. Everyone has a story, who could have thought? Character relationships and dynamics are so, so natural. You can feel the genuine partnership in their bonds. Everyone has their own inside jokes, shared routines, favorite activities, or common goals. It's like watching real friends interact, with chaos and affection. You can feel that these people know each other. Talking about the animation, wow, it is a celebration in itself: lively, playful, full of detail. You can definitely tell the staff had fun! That the voice actors enjoyed every line! (They even recorded in the same room, together, laughing) There’s love in every frame. Love and laughter. The backgrounds are impeccable, full of detail and personality, they really went out to bring life to the CITY... Maybe I'm being a cornball, but It fills me with happiness to see the manga that celebrates our ordinary life, the life where we can laugh, being adapted like this, with the kind of laughter that comes from recognizing the absurdity of being human, from remembering that we all stumble and keep moving forward. The first KyoAni's original animation since that tragic incident, and they're still here, aren't they? Still making us smile, and they're smiling as well! CITY doesn’t dramatize nostalgia, but it lets it show. It doesn’t directly push you to find deep meaning, but it does suggest you look around and ask yourself: What makes me happy? What fills me? What is it that I really want to do? All with a smile, relaxed in your seat. It’s not a series that shouts, but one that whispers. And in that whisper, there is warmth. A pat on the back. A “you’re okay, keep going.” An invitation to look up and leap. A celebration to our lives! And yet, there are very, very funny moments. Please watch it with a smile!

Every once in a while, an anime comes along that doesn’t just entertain — it vibes. "Rock Lady" is that kind of show. It doesn’t pretend to be the next musical drama epic, nor does it aim for over-the-top plot twists or tearjerking moments. Instead, it offers something refreshingly simple: the raw joy of music, the passion of performance, and the charm of four unforgettable girls chasing the rhythm of their dreams. Plot – 7/10 The plot is straightforward, leaning more into a character-driven slice-of-life than a dramatic rise-to-stardom arc. It follows a group of girls who come together to form a rock band, each with their ... own reason for playing — whether it’s for healing, expression, or just to feel alive. While the narrative has heart and never feels aimless, there are moments where the pacing slows down a little too much. That said, it still manages to hit the right emotional notes when it matters most. Characters – 8/10 The soul of this anime is undoubtedly its core cast. The four girls are instantly likable, each with their own quirks, flaws, and strengths. Whether it’s the shy keyboardist with a love for vintage synths, the hot-headed drummer who hides a soft side, or the lead guitarist who speaks through solos instead of words, they all feel authentic. Their dynamic is full of warmth, humor, and genuine chemistry — you’ll find yourself caring deeply about their growth both as individuals and as a band. Art & Environment – 8/10 From the neon glow of live venues to the cozy vibe of after-practice hangouts, the visuals deliver a solid atmosphere. The color palette is bold and expressive, with saturated flashes during performances that make the stage scenes pop. Camera work during the concerts is especially worth noting — dynamic, well-paced, and capturing the energy of live rock in anime form without being overwhelming or too CG-heavy. Music – 8/10 Here’s where the show shines loudest. The soundtrack is composed entirely of instrumental rock pieces — no vocals, just pure musical expression. While fans of anime insert songs with lyrics might miss that emotional punch a strong chorus can bring, the show more than makes up for it with rich guitar solos, tight drum fills, and clever bass-and-key interplay. It's the kind of music that makes your fingers air-strum and your head nod along. It feels raw, authentic, and passionate — like a basement band giving it their all. “Rock Lady” won’t be for everyone, especially if you're looking for high-stakes drama or lyrical ballads. But if you're in the mood for something that celebrates music as a feeling, not just a sound — this one is for you. It’s a show that understands what it's like to fall in love with music, to mess up and try again, and to find your voice not just in lyrics, but in friendship, rhythm, and shared silence. It’s got heart, style, and just enough grit to leave a lasting impression. A sleeper hit for the season, and a must-watch for fans of anime about bands, music, and self-expression. Review by Moto-Senpai

I have no idea what I'm even supposed to say. The story for someone who hasn't touched the novel is an incomprehensible mess without any cohesion or direction. Characters lack any development, and worldbuilding consists of unintelligible info dumps. With pacing so fast, and I'm assuming so much of the story being skipped, nothing makes sense here. Characters aren't likable or interesting either. I'm actually disappointed, as I heard a lot of good things about Lord of Mysteries. The Victorian setting, combined with Chinese isekai tropes, sounds interesting as hell, but it all goes to shit thanks to a lackluster storytelling. The visuals are probably ... the most liked thing in this show, and the only reason I didn't give it a score of 1. But I'll complain even about them. It's like Solo Leveling. Yes, I don't think SL has outstanding animation. It moves nicely, is very flashy, but watching it doesn't give me an impression of looking at art. It might sound corny, but both SL and LoM lack soul. It's like an animation made by executives who poured money into the project to make it look good, instead of people with talent and passion working towards creating something truly amazing. I'm not saying it's bad per se, or that people with talent who cared didn't work on it. Only that it lacks any personality. It gives off that strong corporate vibe reminiscent of the American anime made in Korea for Netflix, like the animated Witcher movies. They, too, look decent, flashy, and well animated. But lack any personality and are just boring to look at in the long run. So that's about it. The biggest mystery in Lord of Mystery is where the plot has gone.

It was a decent watch, not as outstanding as the previous part. 𝐌𝐚𝐲𝐛𝐞 𝐢𝐭’𝐬 𝐛𝐞𝐜𝐚𝐮𝐬𝐞 𝐭𝐡𝐞 𝐢𝐧𝐢𝐭𝐢𝐚𝐥 𝐮𝐧𝐢𝐪𝐮𝐞𝐧𝐞𝐬𝐬 𝐨𝐟 𝐭𝐡𝐞 𝐩𝐫𝐞𝐦𝐢𝐬𝐞 𝐢𝐬 𝐠𝐨𝐧𝐞, 𝐨𝐫 𝐦𝐚𝐲𝐛𝐞 𝐭𝐡𝐞 𝐬𝐡𝐨𝐰 𝐢𝐬 𝐬𝐭𝐚𝐫𝐭𝐢𝐧𝐠 𝐭𝐨 𝐟𝐞𝐞𝐥 𝐬𝐭𝐚𝐠𝐧𝐚𝐧𝐭. I’ve read many comments saying that Season 2 and even the manga aren’t progressing much either. That’s disappointing. In this season/part, Anya felt kind of boring. Loid too. Yor had some progress due to Fiona, but otherwise, there were no visible changes from the first episode. I think Anya’s character development will be a tough job for the mangaka, given that she seems unwilling to change. This anime (and manga) is missing one key element: ... 𝐭𝐡𝐞 𝐩𝐫𝐞𝐬𝐬𝐮𝐫𝐞 𝐨𝐟 𝐭𝐢𝐦𝐞. They mention that it will take months, if not years, to complete the mission. But if the pacing continues like it did in this part, I might stop watching in the future. And that would be disappointing too.

March Comes In Like a Lion offers a quiet, emotionally rich character study anchored by strong visual storytelling. Rei’s journey through isolation and gradual healing is portrayed with subtlety and realism. The Kawamoto sisters bring warmth, though they sometimes feel idealized rather than fully developed. Shaft’s direction leans heavily on metaphor and stylization—effective in tone, but occasionally distracting. The tonal contrast between heavy introspection and lighthearted slice-of-life can feel uneven. While pacing is slow and some subplots feel underused, the season lays a strong emotional foundation. It's a thoughtful, visually ambitious drama that rewards patient viewers with depth and sincerity.

March Comes In Like a Lion 2nd Season builds on its predecessor with greater emotional weight and character depth. The bullying arc is a clear standout, portrayed with sincerity and nuance. However, shifting focus from Rei to side characters creates narrative imbalance, with some arcs lacking proper closure. Visual direction remains a highlight. Shaft’s use of metaphor—waves, isolation, shifting colors—effectively reflects characters’ inner states. Tonal shifts between drama and slice-of-life work well overall, though transitions can feel abrupt. Pacing is uneven. Some storylines linger too long, others resolve quickly. Despite this, the series rewards patient viewers with thoughtful themes and standout character work. Sound design is subtle and ... effective, with strong performances throughout. While less cohesive than season one, this sequel delivers a mature, emotionally resonant experience that stands out in the genre.

“I'm Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness” (I really despise those sort of long titles) is what happens when you have an actually interesting idea and give your audience blue balls all the same. "I am part of that power which eternally wills evil and eternally works good", those words are uttered by Mephistopheles in Johann Wolfgang von Goethe’s “Faust” ( a very fine tragedy. Go read it). The main character of this show — Allen — reminded me of it (mostly in the early episodes, later he mostly drops the act), despite the meaning of it, not fitting as ... well. Before we start I would like to explain something. I will be talking about “plot” and “story”. Many people use those terms interchangeably. I’m not one of those people, so to make sure everyone is on the same page… I use the definitions for “plot” and “story” as Lisa Cron describes them: “What happens in the story is the PLOT, the surface events.” “STORY is about how the things that happen affect someone in pursuit of a difficult goal, and how that person changes internally as a result”. First thing’s first, this show has a very, how should I put it… very specific definition of “naughtiness”. So pull your mind out of the gutter, it won’t be anything raunchy. Yes, I was a bit disappointed as well but the show at least sets this up from episode 1 so You know what You’re getting into rather fast. Secondly, episodes 7 and 8 almost made me drop this show because they were so batshit crazy and dissociated from the greater story (the only thing that kept me with it was autism and OCD). Lastly, and most importantly, You know this show will give you blue balls (in a sense that You will not get anything that would even pretend to be a satisfying conclusion to a season) at the end even before episode 3 ends, yet there is something fascinating in watching this trainwreck. You know it’s bad, You know it’s lazy with a lot of its plot points and yet, I couldn't stop watching it (except episodes 7 and 8, those can go fuck themselves). Let’s start with a story. You could say there are 3 stories set up, yes they do intertwine with each other and they all use the same characters but they could easily be separated into their own. First one is the obvious (ok, they are all obvious) - The healing and dealing with trauma by the female lead — Charlotte. The second one is Allen wanting to help Charlotte become her own person and live a happy life. The last one is their love story (I have many problems with how that one is handled, but it’s still there). On paper they are all solid ideas. Especially the first two. The last one is cliché so in this case the plot would need to do the heavy lifting and serve the story to its fullest (it does not do that). The problem is that the plot doesn’t do a good job of organically developing and evolving them. Especially in the very beginning the way how Charlotte is handled is effing insulting and could be used as an argument that the writer isn’t exactly competent in handling delicate subjects. As a former therapist I consider PTSD and abuse as delicate subjects. Fascinating and entertaining but still delicate. The second story is… weak. It starts strong but pretty quickly takes a back seat and the third story takes over. That’s a problem in itself. Let me spell it out. Allan wants to help a traumatized girl. Good. He actually starts with acting almost like an overprotective guardian with dark humour and over the top methods. Good. He actually starts caring about her. Good. He starts to realise that he could have romantic feelings for her… WHISKEY TANGO FOXTROT? He is aware of her situation and personality. He knows (or at least should know) that their relationship isn’t on equal footing. For most of the season she is subservient to him. He has much more independence and power in this dynamic. One could make a solid argument that up until episode (i think 10) Charlotte is dependent on him in almost everything. He provides her with everything. Food, shelter, money (at least he pays her), but she’s a stranger in a strange land and isn’t shown many times when she’s acting without Allan at her side. It’s a really effed up dynamic for a romance. I get it, there are many movies and books about a servant and master falling in love but I have feelings on many of them revolve around an abuse victim. I wouldn't mind them falling in love (it is a romance after all) but it’s too much and too fast. They should be closer to equal footing. Have Charlotte me more independent, have Allan see how she overcomes her past and learns to live anew. Have her talk back to Allan more and even scold him for his recklessness. After all that, make them realize that they have feelings for each other. Unfortunately apart from maybe the scolding part, they exhibit behaviours and thoughts of romantic content before she becomes her own person. I really don’t like that. Am I naïve? Let’s talk about positives. Allan is OP AF but… I really don’t want to say “OP done right” because that’s not totally the case, but it’s OP done better than 90% of anime I saw in the last decade. He has magic that can do almost anything but that doesn’t matter because him being OP is not the focus of the show. He has some moments then he exposes his power and deals with problems but those problems are used to expose someone's personality, values or evolve one of the stories. The conflicts are not the focus. In the long run they don’t even matter. You don’t give a damn that Allan just defeated a creature that could level an entire mountain to save a tourist resort. You care that this act allowed Charlotte to become more of a person and discover her own magic power (granted it’s also too rushed and annoying but that is also not the main focus). I would say it’s close to what Kafka did in many of his works. Weird shit happens but that is not the focus. The focus is the internal world of the characters. In this regard it doesn’t matter that Allan is OP, what matters is his internal thought about why he is doing something, or in the case of saving the resort, why he isn’t doing something. It’s not great writing by any means but it’s much better than most crap with an OP character. Allan is acting in support of Charlotte and uses his powers to further that goal. There are surprisingly few moments when he acts just because he can. Yes his methods are often over the top, especially in the first episode but because of Charlotte’s character it would be difficult for him to make her act otherwise. So I’ll give credit where credit is due, Allan is a much better character than I expected and far better than most OP protagonists. He actually acts like a mentor for more time than a hero. I like that. His goal isn’t related to his role as an actor but as a mentor. That is a good idea and the writer actually tries to stick with it. I can respect that. Charlotte… I have mixed feelings about her. She starts out strong. After the crap she went through her being subservient, scared and quiet makes a lot of sense. She should have her guard up with Allen in the beginning and try not to piss him off. That’s just basic survival logic. I also like that the Charlotte we get in episode 1 isn’t the same Charlotte we see at the very end of episode 12. She becomes bolder and more open during those 12 episodes. My main gripe is that we don’t really see many moments when her change begins. From episode to episode she becomes bolder but it feels superficial. Apart from the incident at the market she seems to grow off screen. Like something important happened and we missed it. Now don’t get me wrong, I’m happy that she evolves but I wish it would feel more organic and thoughtful. Her having feelings for Allan also isn’t a bad idea. He’s probably the first man that is kind to her, in his own, over the top way. So her clutching onto him in search for safety and stability is logical. In those sorts of situations people sometimes interpret that need as love. Nothing exactly wrong with it but she should have some moments, or at least one, when she questions her own feelings. A sort of introspection when she questions is this love or just dependency (spoiler alert, those are not the same things, despite what some movies might tell you). Only after this sort of internal struggle should she consider Allan as a proper, potential, romantic partner. I get it, real love is messy and difficult. Anime sells a fantasy that it’s clean and pure. Maybe sometimes it is, but definitely not in a situation that Charlotte is. Her love life should be the most complicated thing in this show. Even more than just her healing. But it’s presented as something natural. The writer either has no idea about love and trauma (there are books about it by the way, it’s a fascinating subject), or just doesn’t care and focuses only on the “sweet and cuddly” part. Either way the show suffers for it. Especially that episodes 7 and 8 could be scrapped and in their place put something that actually serves the story… or all three. That would be nice. Do I think this is a bad show? Surprisingly… yes but… it’s entertaining. It’s bad in a way that it leads nowhere at the end. We don’t get a proper payoff for those 12 episodes. They don’t kiss, they don’t share their feelings, they just… hold hands. You could argue that it’s a payoff but after the shit they both been through those 12 episodes it’s far too little to be satisfying.

Feels like there's a great anime here if they'd done it in maybe 24 or 36 episodes. I know the manhwa and original novel were popular, but it feels like they've cut down a lot to make the animation, and cut down in the wrong spots. There's a lot of just "acceptance" of out of the norm stuff with no explanation. I think a lot of internal monologue and world building was skipped, while weird parts of it were maintained. The animation is great, the voice acting is good. Some of the translations were a little dicey but that's normal for the Chinese ... stuff, they always seem to skimp on the subtitle translation quality. Opening and closing sequence were *chefs kiss*. Actions scenes were "mostly" okay but hard to follow in parts, having a slightly greater emphasis on flashy lights moving than on actually making it clear what was happening. I have read the first few chapters of the manhwa and it felt better laid out than this. I think this is an ongoing problem with this style of thing. They cut stuff down from the light novel to make the manhwa, then they adapt the animation from the manhwa not the novel and cut out MORE stuff, rather than adapting from the light novel in the style of the manhwa. That double layering of "adaptation" feels like the flow of the entire thing gets chopped up and a lot of explanation and world-building gets cut. I noticed the same thing with Spare me Great Lord and a few others in recent years. Let alone the butchery that was The Kings Avatar season 3. Final conclusion: There's a great story in here but you're probably going to have to read the manhwa or the novel to get most of the nuance of it. If you HAVE you will probably enjoy the anime as you will have all that extra information to filter it through. 6/10, but your mileage may vary.

This season is a huge change of pace from previous seasons, so I can understand why its so contentious. There really isn't a lot of action here and, compared to the "everything happens in the dungeon" plot of last season, I can understand that reaction. However, I would argue that the focus on interpersonal issues and the revelations made about certain characters in this season really sets it apart from previous seasons. There's an emphasis on developing more minor/side characters, as well as thrusting Bell into a situation that requires more than just brute strength to overcome. The events of this season force Bell ... to mature as a man and develop more of his "soft skills", so by the end of the season he doesn't flip out in terms of romance/feelings (well...as much as he did). I don't want to say too much without adding spoilers but Ryuu still best girl.

I remember when I was in my teenage years and used to watch a lot of romance anime. I really like how I felt watching, all the emotion, sadness, joy, hope... All this feelings mixed up and then I ran out to school thinking "I want to live a romance like this too!" and give my best to get it. And then I grew up. I'm almost on my 30s, practically married, with a pretty stable life. Romance animes don't affect me as they used to, because I'm not much into melodrama plot anymore. Life changes. But Blue Box DEMOLISHES that statement. I watched every single ... episode rooting for the characters, screaming internally with everly twist, feeling like a silly little boy I once was, and loving so much every second I spent watching it. This show makes me remember how good and joyful life can be as a teenager, and how we can still feel that way as adults. That's how good Blue Box is: it remembers me how to enjoy life as a whole again, including the silly and naive feelings that we are used to ignore once life gets more complex. My english is not that good, but I'll try writing this review the best I can and spoiler-free. The story itfself is pretty simple: teenage boy falling in love with a teenage girl and soon it became a love triangle when another girl falls in love with him. Classic dynamics. But I've never seen it been executed so weel before. All characters are so well written, mature and charismatic. They think a lot of their relationships and how their actions affects people around them. They talk with each other so maturely that I sometimes forgot they're 16, 17 years old. It's so refreshing seeing lovable and mature characters in a highschool romance, rather than the usual potatoes that barely know how to interact. But also, this show is about sports. And not aside from the romance: WITH romance. I was pretty unsure how it would unravel, but turns out they nailed it. The emotions and excitement from the matches, training and stuff mixed SO well with the romantic feeling they are experiencing. Like any teenager that are in love, it's hard to not think about the loved one, and it affacts so much on your daily basis, even more when you have a passion that demands so much of your focus. And learn how to reconcile these two things is a very difficult and interesting journey that almost all the characters have to experience. Blue Box doesn’t falls into the misundertanding tropes so common in romcom. Every now an then happens something that I think "oh no, now these characters won't talk to each other anymore bc of some misleading bs", BUT NO: they actually have a conversation and try their best to understand each other. It's sooo refreshing to see that. The show also shines when comparing Taiki with other main characters. He has a lot a personality and not even close to be seen as a lonely loser like every goddam MC we see out there. He is good at sports, is a wonderful person, cares about his friends and has attitude! If some character falls in love with him, I would think "ok that makes sense", intead of "why? theres like 0 reasons for you to" like I usually do wathing anime. Taiki is a main character that we all understand why he is the center os almost all events happening. The other charcaters are such a beautiful surprise too. Chinatsu and Hina are perfect. They feel so alive, each one with their own interests and passions, they are complete characters and not just mc love interests. The side characters are lovely as well. Even the ones that look like they would be annoying shows out to be enjoyable as well. I really can’t think of one single character that I dislike. Overall, the animation is not godlike as an average anime sports, but it's pretty good. The art is beautiful and ost is ok. Love the first OP. I really like how you can see the effort making this show and how it not inclines too much to modern industry. You see almost zero fanservice shots for exemple and I personally think it's pretty neat that way. This show deserves to be seen as not just a money maker for the studio, but as the wholesome story that it is. Blue Box is, by far, the best romance anime I've seen in years. I'm really really excitec to see what's coming next, thank god there's another season confirmed. If you want a slow burning with thing actually happening in the plot, this one is for you. Also, if you like some cool sport drama anime, that's a good one too.

This anime is honestly one of the best picks if you're looking for something chill and simple. It doesn’t have mind-bending plots or moments that need deep focus, but at the same time, it’s far from boring — it’s actually super fun. Each episode has an opening, an ending, and four little segments, which is more than enough for a 6-episode anime to be really entertaining without ever feeling slow or badly written. The story is simple but full of little events that keep things moving. It’s set in a place like a mall, where a lot could be going on — yet the anime chooses ... to focus on one small spot where two girls hang out and chat. And somehow, it never gets boring. I can honestly and confidently recommend this anime to all kinds of anime fans. It’s just that easy to enjoy — suitable for all ages and both guys and girls.

Very big fan of this show right up until this season. There are a lot of issues, so its difficult to know where to start. The main problem (and, tbh, the problem with every season) is the pacing is inconsistent at best. Its glaringly obvious here though because so much of this is needless filler and endless exposition. There is a lot "tell, don't show", which is a big issue for a visual medium. It draws out scenes, slows down the pace, and makes the show boring. With that said - DO NOT DROP THIS SHOW. I would still say this season is worthwhile, simply ... because it sets the stage for what happens in the second half of this season (as well as S5) and the second half really is incredible (....Ryu Best Girl!). But, I would recommend skipping every other episode or fast forwarding through exposition dumps here.

"I Watched Kino’s Journey and Now I Want to Pack My Bags, Shoot a Man, and Ponder the Meaning of Existence" Alright, listen. This isn’t another "quirky traveler meets new cultures" anime. No. Kino no Tabi: The Beautiful World is basically what would happen if Mushishi, Black Mirror, and a philosophy major on a two-week fast had a lovechild and gave it a talking motorcycle. And somehow... it works. Like disturbingly well. First of all: Nothing happens. But also... EVERYTHING happens? Bro, I binged this at 2AM thinking it’d be cozy, chill vibes, maybe some deep quotes sprinkled in. Big mistake. One episode in and I’m questioning democracy, morality, ... religion, love, death—you name it. There’s an ep where a country literally makes a sport out of hunting humans. And it’s not even treated like "omg shock horror"—nope, it’s served to you all calm and matter-of-fact, like "here’s a salad and a casual existential crisis". You never really get answers in this show. Kino—the MC—isn’t here to fix anything. They roll into town, see some messed-up nonsense, say "huh, interesting", maybe shoot a guy (in self-defense?), then peace out like a cowboy philosopher. No cheesy speeches. No moralizing. Just... vibes. Really dark, fascinating vibes. Kino is the GOAT of stoic badasses Let’s talk about Kino for a sec. Gender? Ambiguous. Vibes? Immaculate. Weapon skills? God-tier. They're the type of character who says like four words per episode, but every one of them slaps. There’s a scene where Kino is surrounded by dudes with guns, and she’s like, "I don't want to fight... but I will if you insist." AND THEN SHE ABSOLUTELY WRECKS THEM. Like, John Wick meets Buddha. I was clapping at my screen like an idiot. And Hermes? The talking motorcycle? Honestly, a lowkey icon. Snarky, deadpan, kinda adorable in a nihilistic way. Their banter is somehow both hilarious and deeply depressing. Love that for them. This show makes you feel smart and empty at the same time You ever finish an episode and just sit there like "...did I just get emotionally wrecked by a story about a country that voted itself into silence?" Yeah. That's Kino’s Journey. Every ep is a new place, new society, new set of values—and every one of them hits different. Some are beautiful. Some are horrifying. Some are just...sad. There’s no "main story", no real arc. It’s all just snapshots. And weirdly, that’s the point. Life doesn’t always give you a satisfying resolution. Neither does this anime. Deal with it. Not for everyone, and that's okay Let me be real with you: If you need plot twists, waifus, or overpowered MCs shouting about friendship, go watch Demon Slayer or something. This ain’t that. But if you're into weird, slow, philosophical stuff that gets under your skin and makes you question why humans are the way they are... you’re in for a ride. Literally. On a talking motorcycle. Through the weirdest damn world I’ve seen since The Twilight Zone. (Also the art? Minimalist but kinda haunting. Soundtrack? Underrated af. That ED song? Gets me every time.) Final hot take: This anime is a 9/10 for me, easily. Not perfect—some eps drag, and the pacing will piss off impatient folks—but damn, it stuck with me. It’s the kind of show I’ll rewatch in 5 years, in a totally different mental state, and get something completely new out of it. So yeah. I watched Kino no Tabi. Now I trust motorcycles more than people. (¯_(ツ)_/¯)

Why is it always so good? Why do the dialogues feel so grounded and realistic? There’s no fanservice, no ultra-intelligent overpowered main character—and yet, it just works. You can genuinely feel the emotions the author wants to evoke, and that’s what makes this movie so impressive. Once again, we get strong character development and a heartfelt story. Artstyle-wise, it sticks to the same visual identity as previous entries—and I honestly love that it hasn’t changed. Overall, if you’re a fan of the series, I can wholeheartedly recommend this one. It continues the emotional, grounded storytelling the franchise is known for.

It's not quite there, but the vibe is definitely cool. Okay, maybe it's just me, but this isn't Nichijou. And that's fine. When I first heard the news about the adaptation, I was beyond excited. I kept watching YouTube videos about it, some even claiming it was better than Nichijou in terms of writing and bla bla bla. It aired in the middle of the night in my country, and for the first three episodes, I stayed up late just to watch it. And you know what? It's fine. Just OK. Not amazing, not on the same level as Nichijou, but decent enough. I don't know how to ... put this exactly, but this anime doesn't quite live up to Nichijou. The jokes, the timing, maybe even THE ANIMATION, it all feels just a little off. Don't get me wrong, the art style is fresh and unlike anything I've seen in anime. But what makes Nichijou good, doesn't present in CITY:(. And oh, don't even get me started on the OP, ED, and the overall use of music. In Nichijou, they picked a wide variety of songs that added to the chaos and charm. In CITY? They just keep reusing the same four or five tracks we already heard in the trailer. I don't really like the OP and ED either. The voice acting is weak, too:/ (I like the present Yui's voice, tho) I didn’t really form any strong opinions about the characters at all. When I watched Nichijou, I genuinely liked seeing Mai annoy Yuuko, it was HILLARIOUS, and it stuck with me. But here? I just find myself thinking, "Okay, I don’t care about you, just make me laugh." And that makes this anime kind of hard to watch. I can basically count on my hands how many times I actually laughed, and I didn’t even need all my fingers yet. Maybe I was just a bit too hopeful. Maybe I expected it to hit the same emotional beats or deliver the same chaotic energy OR even better than Nichijou. And that's okay, I guess. Not every show has to be Nichijou. But when the legacy is that big, it's hard not to compare when the same author and studio animation behind it's all the same. I can confidently say that one day, a Nichijou fan on Twitter will finally admit they don’t like this anime, just like I did. This surely hits more niche audience, or otherwise. I don't know. If you like watered down Nichijou, just watch this.

This anime isn’t for everyone. It doesn’t have explosive main or side characters, there’s little to no fanservice, and the story moves at a slow but steady pace—but that’s exactly what most fans of this series expected. The series has consistently delivered strong content, and it seems like we’re in for another dose of meaningful storytelling and emotional development. Artstyle-wise, I personally enjoy it. It’s not peak animation by any means—there are scenes where more movement or detail would’ve made things feel more natural—but it gets the job done. Honestly, watching it gives me a bit of a nostalgic feeling. Overall, if you’re a fan of the ... series, it’s a must-watch. Otherwise, I’d recommend starting from the beginning to see if this kind of show is your thing.

Review – Stratos 4 I watched Stratos 4 a long time ago, back when I was diving into the yuri world, desperately looking for a good sapphic anime — which, let’s be honest, is hard to find. I stumbled upon this one by chance and, for some reason, thought it was yuri. It had all the signs: a group of girls living together, some tension in the air, and even a moment that almost led to a kiss... but it wasn’t what I expected. ... To be blunt: the anime isn’t very good. And I usually enjoy almost everything I watch. The animation is average, the pacing is slow, and the episodes feel like they go nowhere. It was hard to get through — I nearly dropped it. Things only picked up near the end, with some decent action and a plot twist that, honestly, was the one thing that saved it. In the end, I think I would've liked it more if it was yuri. Everything was there, ready to go, but it just never delivered — and that “almost” isn't enough to carry an already lukewarm story.

### Pros * **Character Designs:** The characters' appearances are memorable and unique. The diversity among them adds vibrancy and visual richness to the anime. * **Fun and Enjoyable Character Dynamics:** The interactions between characters are entertaining and genuinely enjoyable to watch. This greatly enhances the overall atmosphere of the series. * **Action Scenes:** The action sequences are well-executed and immersive. In particular, the way the main character defeats enemies—sometimes with a humorous twist—adds a unique flavor to these scenes. * **Main Character Development:** The main character’s constant effort to grow is portrayed well and consistently. This strengthens the character arc and leaves a positive impression on the viewer. ### Cons * ... **Opening, Music, and Ending:** Musically, the anime falls short. The tracks are unfortunately forgettable and fail to significantly enhance the overall atmosphere. * **Character Names:** The characters’ names are not memorable, which weakens the emotional connection the audience might build with them. * **Main Character’s Backstory:** The main character’s past and motivations are portrayed in a very shallow and careless manner. This reduces the depth of the story and left me with many unanswered questions. ### Overall Impression This anime delivers an enjoyable viewing experience, especially through its creative character designs and engaging action scenes. However, it falls short in areas like music and the memorability of character names. The lack of depth in the main character’s backstory also detracts from the richness of the narrative. Still, thanks to the character growth and entertaining interactions, it stands out as a series worth watching. **My Rating: 7/10**

I'm not a fan of isekai, almost every isekai is the same, but this one is not and I really like it. Well, I watched this anime with expectations, and I wanted to finish it in one week but I finished it in two days cause it's way too interesting. What I personally like about this anime is animation, characters and music. Main character, Toyohisa Shimazu, is amazing, he is interesting, has good ambitions and I really like how brutally he kills people but refuses to kill a women. Even though he acts childish and stupid almost every time, he is actually a very amazing leader. Other good ... characters such as Nasu Suketaka Yoichi and Oda Nobunaga, are also interesting in their own ways. Personally, my favorite is Yoichi, his desing and the way he fights is very interesting in my opinion. Oda Nobunaga is also a very amazing character. He is a good and amazing leader, and sometimes very funny and interesting. Other things I like about this anime is story, music and opening which I listen on repeat and specifically animation. If you like anime with lot of blood and historical, definitely watch Drifters.